UNKNOWN CHILD

Recently, my town (a city in Northern Kentucky, just across the river from Cincinnati, Ohio) started “ghost tours” during the month of October. Until the late 1950s, my city used to be full of gangsters, mafia, and gamblers, so there were plenty of murders, suicides, and other weird happenings going on to ensure a history full of tragedy.

Last month, my wife, my parents and I went on this particular walk that consisted of walking around a few blocks of the city, looking at old buildings and listening to stories that took place at these locations. My parents grew up on one particular street that was included in the walk, so they were able to verify most of the stories for us. When we got in front of the building my mom grew up in, the woman guiding the tour told us a really creepy story that I’ve been trying to verify for over a month now, but I can’t seem to find any information online about it.  

As the story goes, three or four years ago in the dead of winter (I think it happened on Christmas Eve, but I’m not sure) the police found a young boy around age 10 standing outside the door of the building that used to be my mom’s apartment. A couple of murders have taken place in that building, but that’s another story for another time. Anyway, the young boy that the police found was wearing only a thin pair of shorts and nothing else. No shoes, no shirt, despite there being snow on the ground and temperatures below the freezing mark.

The police tried to ask the boy questions about where he had been, who his parents were, why he was standing there, etc., but the boy either refused to answer or said he couldn’t remember anything.

The police ended up taking him to Cincinnati Children’s Hospital, and posted police bulletins throughout the county in an attempt to locate the boy’s parents and bring him home. Oddly, no one ever showed up to claim him.

After he was taken to Children’s Hospital, he began to exhibit strange and disturbing behavior and was taken to a psychiatrist where he underwent some form of psychological testing. This is where the story gets even weirder, but being as though I’m not a psychiatrist, I don’t know the exact names for terms, etc. On this particular test that he underwent that diagnosed psychoses, he was found to have scored a level of 7. Our guide then told us that Ted Bundy had undergone the same test and scored a level of only 4.

Despite being in the system now for a few years, the child has never been claimed by anyone, and has in fact begun to exhibit stranger and more disturbing behavior as the years go on. In fact, the tour guide told us that the county who has custody of the now teenager is so disturbed by his behavior that they have recommended keeping him in custody until the age of 18, and afterward transferring him to a secure location because they’re so concerned that when he is released he will harm someone.

Granted, this could have been a great spooky story that was merely intended to scare willing patrons, until a member of our group spoke up and told us that he was a psychology student at the University of Cincinnati, and that his class had been discussing this child’s case.

Last but not least, let me add one more detail. The street that we were on is reported by some paranormal societies to be one of the most “evil” streets in America, due to the number and nature of some of the deaths that have occurred there. Does the fact that this child was found in one of the most “evil” locations in the USA have anything to do with his disturbing mindset?

Story source.

REVIEW: MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN: THE GRAPHIC NOVEL

 

Perhaps I'm not the best person to lend his opinion on a graphic novel. I can't say it's a format in which I've invested myself too much over the years. Except for the occasional Batman adventures a chum insisted I read (and despite my devouring of EC comics in my youth, which, before you slap me, I know do not count), I just never paid that much attention to this mode of artistic expression.

Still, I was given the chance to take a look at the graphic novel version of Miss Peregrine's Home for Peculiar Children, and being I am so smitten with those damned kids, I jumped at the chance.

I hope you're not thinking that my confession-like intro is a disclaimer I'm using to segue into complaining for the rest of this review, because I surely have no intentions of doing that. It's just that I likely won't be able to properly praise this new version of the story the way it deserves.

Obviously the biggest change is the prose. Gone are huge, massive chunks of text from author Riggs' original narrative. Well, no shit. That's the nature of the graphic novel. It's the text that drives the story, but it's the images that bring it to life. Yes, I do recall recollecting certain passages from the original text when stumbling upon their drawn-upon counterparts in this new version, sadly seeing its demise in this form, but now it's artist Cassandra Jean doing the heavy lifting and transferring all the novel's emotions into these re-realized characters. It's time for the text, however essential, to take a backseat to this new visualization of the story.

And speaking of, sometimes the most obvious choices are the ones that can still surprise you and bring a smile to your face.

The original offbeat and absurd vintage photographs that peppered Riggs' novel are still here and accounted for; each peculiar child has his or her photograph alongside their first emergence in the text. And though I suppose it was inevitable and likely unavoidable, to see the images of these children then realized again and again throughout the story, painstakingly recreated in ink and color as they appeared in their photos, was surprisingly rewarding. Though Riggs did a fine job of fleshing out his inspired creations in the novel, the consistent visual representation of the kids reinforces your image of them as you reinvest in this new version of the story. (The character of Olive, especially - a tiny urchin with a slight frown in her levitating photo - has been recreated with her same stature and her same outfit, but now bearing that full-blown smile her character must often sport in this make-believe landscape. The nature of her bubbly and idealistic personality nearly defies you to picture the lemon-faced grimace shown in her vintage photo.)

Do I miss some of Riggs' original narrative? Sure, I do. Some of the best suspense comes not from the monstrous wights or hollowgasts, but the burgeoning relationship between Jacob and Emma. But it's the art by Cassandra Jean that's made me see these peculiar children in an all new light.

The book ends with a teaser look at the graphic novel version of Hollow City.

I can't wait.

V.D.

HELL GARDEN

Wang Saen Suk, 90 minutes outside of Bangkok on the way to Pattaya, is a garden full of statues depicting what is supposed to be Buddhist hell.

While the garden attracts plenty of families, there are gruesome scenes depicted there. After passing a “Welcome to Hell!” sign, visitors encounter sinners boiled in copper cauldrons, sinners being torn apart by hell’s dogs, and emaciated sinners with protruding ribs. “If you meet the Devil in this life, don’t postpone merit-making which will help you to defeat him in the next life,” a sign in the garden reads. “Donate a little each day and you’ll have a happy life.”

According to the “Traibhumi Phra Ruang,” when a Buddhist dies, he or she goes before four celestial beings who check the dead’s record of good and bad deeds. If your good deeds outweigh the bad, you will go to heaven; if your bad deeds outweigh the good, you will be punished.

Punishment in Buddhist hell varies depending on the sins committed, but every form of punishment is a torture, and many of those are depicted in the garden. Hell has 136 pits, but individuals are able to be reborn from each. Loganta, a special pit reserved for those who have hurt their parents or monks physically, is the only cold pit and those sent there are said to remain until a new Buddha is born.

Story and images source.

HOUSE OF THE PAST

The House of the Past, 1947 

Clarence John Laughlin

FACT

When you wake up around 2-3 A.M. without any reason, there's an 81% chance that someone is staring at you.

TEOS RECOMMENDS: THE CANNIBAL: THE CASE OF ALBERT FISH

My unintended marathon reading of true crime books continues with The Cannibal: The Case of Albert Fish. This non-fiction account of Albert Fish's cannibal crimes against his adolescent victims was written by Mel Heimer, a former reporter. The book itself is quite slim – 150 pages or so – and a breeze to read, technically. However, it does delve into some pretty graphic descriptions of Fish's crimes, using both his own words and those of the author, so it can be difficult to traverse, depending on your own icky scale.

Neighbors, friends, and families of serial killers more often than not describe them as quiet, friendly, unassumingly, and nice. Ed Gein was looked at as a harmless old hermit. John Wayne Gacy was a clown at children's parties. But Albert Fish has the distinction of being among the oldest serial killers ever caught. It was his elderly and distinguished appearance that led so many people to instantly trust him. Though he claimed responsibility for at least a hundred murders, police work and his own confessions totaled a solid number of five lives taken. He was given many nicknames once news of his crimes hit the media, chief among them being the "Werewolf of Wysteria" and "The Grey Man."

The most infamous of Fish's murders was that of Grace Budd, nine-year-old sister of Ed Budd Jr., who had placed an ad in the paper that he was looking for work outside of the city, and to whom Fish was responding when he contacted the Budd family to explain that he owned a farm and was looking for a farmhand to help out with everyday work. He used the pseudonym of Frank Howard, and to further sell his lie regarding his farm, he had brought with him a small jar of cottage cheese, which he claimed derived directly from his farm's resources. (He had in actuality stopped off at a market before arriving at the Budds.) Once there, Budd made nice with the family, sitting down with them and making polite conversation. His original target being Edward Jr., Fish changed his mind upon arriving, deeming the boy "unattractive" for Fish's purposes. Instead he set his sight on young Grace and managed to convince her parents that he knew of a nearby party that he was considering attending and that Grace should accompany him. The Budds instantly trusted Fish due to his almost statesman-like appearance and agreed to let Grace attend the party with him.

Fish then left with Grace. The Budds never saw her again.

The book then recounts Fish's plan, beginning with taking her to an abandoned cottage, and ending with his method for disposing of her body.

Grace was reported missing, and for six long years, the police turned up many clues and followed up on many suspects, none of which or whom proved to be helpful. Soon the case became stagnant, though not altogether dead, and it was a simple piece of stationary that led the police to finally capture the Werewolf of Wysteria.

The poor family had been deluged over the years with all sorts of crank letters and claims, and it got to the point that they stopped reading them and simply delivered them directly to the police. It was on a piece of unique stationary that Fish had anonymously sent the below letter to Grace Budd's mother.

Dear Mrs. Budd:

In 1894 a friend of mine shipped as a deck hand on the Steamer Tacoma, Capt. John Davis. They sailed from San Francisco for Hong Kong, China. On arriving there he and two others went ashore and got drunk. When they returned the boat was gone. At that time there was famine in China. Meat of any kind was from $1–3 per pound. So great was the suffering among the very poor that all children under 12 were sold for food in order to keep others from starving. A boy or girl under 14 was not safe in the street. You could go in any shop and ask for steak—chops—or stew meat. Part of the naked body of a boy or girl would be brought out and just what you wanted cut from it. A boy or girl's behind which is the sweetest part of the body and sold as veal cutlet brought the highest price. John staid there so long he acquired a taste for human flesh. On his return to N.Y. he stole two boys, one 7 and one 11. Took them to his home stripped them naked tied them in a closet. Then burned everything they had on. Several times every day and night he spanked them – tortured them – to make their meat good and tender. First he killed the 11 year old boy, because he had the fattest ass and of course the most meat on it. Every part of his body was cooked and eaten except the head—bones and guts. He was roasted in the oven (all of his ass), boiled, broiled, fried and stewed. The little boy was next, went the same way.

At that time, I was living at 409 E 100 St. near—right side. He told me so often how good human flesh was I made up my mind to taste it. On Sunday June the 3, 1928 I called on you at 406 W 15 St. Brought you pot cheese—strawberries. We had lunch. Grace sat in my lap and kissed me. I made up my mind to eat her. On the pretense of taking her to a party. You said yes she could go.

I took her to an empty house in Westchester I had already picked out. When we got there, I told her to remain outside. She picked wildflowers. I went upstairs and stripped all my clothes off. I knew if I did not I would get her blood on them. When all was ready I went to the window and called her. Then I hid in a closet until she was in the room. When she saw me all naked she began to cry and tried to run down the stairs. I grabbed her and she said she would tell her mamma. First I stripped her naked. How she did kick – bite and scratch. I choked her to death, then cut her in small pieces so I could take my meat to my rooms. Cook and eat it. How sweet and tender her little ass was roasted in the oven. It took me 9 days to eat her entire body. I did not fuck her tho I could of had I wished.

She died a virgin.

In my previous recommendation of Edward Gein: America's Most Bizarre Murderer, I explained I prefer a true-crime account to be comprised majorly of the subject's own words. In that regard, The Cannibal is equally fascinating, though likely more so. To directly compare, while Gein never seemed quite to know why it was he killed those he did, as well as cannibalized them and even lived with dug-up corpses, it's made quite clear that Fish simply enjoyed everything he did, though he sometimes suggested that he didn't know why he did the things he did. He referred to himself as "queer" (referring to the mid-20th century meaning of the word), and in letters to the few of his children that continued to correspond with him, he often wondered what compelled him to kill and devour.

Once captured for his crimes against Grace Budd, a physical examination of him revealed over 20 needles purposely inserted in his pelvis. His reasons for having done so varied greatly, and soon there were five very distinct explanations he offered, each conflicting with the other.

And it's actually this very random factoid where my only real criticism of the book comes into play: the more unusual facts about the peculiar Albert Fish will stick immediately in your mind, so when this information is repeated later in the text, you'll definitely notice. Several accounts, such as the strange needle story, or the manner in which Fish was finally caught by authorities, appear at least twice – and these are just to examples. It certainly doesn't diminish the reading experience in any way, as you could likely read about a man sticking needles into his pelvis a hundred different ways and never become bored, simply because, god damn, that's fucking weird, but perhaps a more discerning editor would have cut out these reuses so as not to harp on some weird anecdotes in a book already full of them.

Of all the true crime books I've read so far, The Cannibal might so far be the most vicious, and this has to do not only with the age of Fish's victims, but the brutality committed against them. Though he tried to feign confusion and even alarm about himself, he never made it a secret that he enjoyed killing and maiming. "I have had kids in every state," he even once bragged, though it was unknown whether that represented murders or rapes (or both). Still, The Cannibal is terribly interesting in the way true crime is meant to be. The accounts of Fish's crimes are presented objectively, leaving no stones unturned. His own words are especially powerful, and the letter presented above is just one example.

RED

Once upon a time there lived in a certain village a little country girl, the prettiest creature who was ever seen. Her mother was excessively fond of her; and her grandmother doted on her still more. This good woman had a little red riding hood made for her. It suited the girl so extremely well that everybody called her Little Red Riding Hood.

One day her mother, having made some cakes, said to her, "Go, my dear, and see how your grandmother is doing, for I hear she has been very ill. Take her a cake, and this little pot of butter."

Little Red Riding Hood set out immediately to go to her grandmother, who lived in another village.

As she was going through the wood, she met with a wolf, who had a very great mind to eat her up, but he dared not, because of some woodcutters working nearby in the forest. He asked her where she was going. The poor child, who did not know that it was dangerous to stay and talk to a wolf, said to him, "I am going to see my grandmother and carry her a cake and a little pot of butter from my mother."

"Does she live far off?" said the wolf

"Oh I say," answered Little Red Riding Hood; "it is beyond that mill you see there, at the first house in the village."

"Well," said the wolf, "and I'll go and see her too. I'll go this way and go you that, and we shall see who will be there first."

The wolf ran as fast as he could, taking the shortest path, and the little girl took a roundabout way, entertaining herself by gathering nuts, running after butterflies, and gathering bouquets of little flowers. It was not long before the wolf arrived at the old woman's house. He knocked at the door: tap, tap.

"Who's there?"

"Your grandchild, Little Red Riding Hood," replied the wolf, counterfeiting her voice; "who has brought you a cake and a little pot of butter sent you by mother."

The good grandmother, who was in bed, because she was somewhat ill, cried out, "Pull the bobbin, and the latch will go up."

The wolf pulled the bobbin, and the door opened, and then he immediately fell upon the good woman and ate her up in a moment, for it been more than three days since he had eaten. He then shut the door and got into the grandmother's bed, expecting Little Red Riding Hood, who came some time afterwards and knocked at the door: tap, tap.

"Who's there?"

Little Red Riding Hood, hearing the big voice of the wolf, was at first afraid; but believing her grandmother had a cold and was hoarse, answered, "It is your grandchild Little Red Riding Hood, who has brought you a cake and a little pot of butter mother sends you."

The wolf cried out to her, softening his voice as much as he could, "Pull the bobbin, and the latch will go up."

Little Red Riding Hood pulled the bobbin, and the door opened.

The wolf, seeing her come in, said to her, hiding himself under the bedclothes, "Put the cake and the little pot of butter upon the stool, and come get into bed with me."

Little Red Riding Hood took off her clothes and got into bed. She was greatly amazed to see how her grandmother looked in her nightclothes, and said to her, "Grandmother, what big arms you have!"

"All the better to hug you with, my dear."

"Grandmother, what big legs you have!"

"All the better to run with, my child."

"Grandmother, what big ears you have!"

"All the better to hear with, my child."

"Grandmother, what big eyes you have!"

"All the better to see with, my child."

"Grandmother, what big teeth you have got!"

"All the better to eat you up with."

And, saying these words, this wicked wolf fell upon Little Red Riding Hood, and ate her all up.

Moral: Children, especially attractive, well bred young ladies, should never talk to strangers, for if they should do so, they may well provide dinner for a wolf. I say "wolf," but there are various kinds of wolves. There are also those who are charming, quiet, polite, unassuming, complacent, and sweet, who pursue young women at home and in the streets. And unfortunately, it is these gentle wolves who are the most dangerous ones of all.

"Little Red Riding Hood"
Charles Perrault, 1697

© Sarah Moon
From "Little Red Riding Hood" series, 1983

STORYDRESS

 

© Christine Elfman 

Storydress II (Cabinet Card), 2008

LUNGE

TEOS RECOMMENDS: OUTLANDER

I am a huge proponent of blind buying, so long as the price is right. My initial foray into the Netflix service (way back when they still believed in quality control insofar as the condition of their physical discs are concerned), my blind buying technique took a huge nosedive (and subsequently saved me a lot of money). 

But after Netflix's disc service adopted the new name "Enjoy Your New Hockey Puck," I found myself going back to my old ways. A combination of discovering the joy that is Movie Stop, along with the sometimes ridiculous sales that goHastings has on their site at least once a week, allowed me to continue my blind buying nonsense without spending a whole lot of money. You sometimes end up with a lot of duds that get tossed into the trade-in box, but every so often you find a real gem, for which you had no initial expectations beyond, "Sure, I'd watch that."

Enter Outlander. Have you seen this? It's really fucking fun.

 

A very very loose adaptation of "Beowulf," (but more in common with Reign of Fire), Outlander features James Caviezel as Kainan, an (alien?) soldier whose spaceship crash-lands in 709 AD Norway. If Kainan hails from a more advanced civilization beyond the stars, or if he's actually an alien (I guess technically he would be? I don't fucking know), it's never really made clear. There are a few "you're dressed weird!"-type comments made by the Vikings who capture and imprison Kainan, but other than that, it's not really discussed. John Hurt plays King Hrothgar (one of the few carryovers from the original "Beowulf"poem), and Ron Perlman plays the much-too-brief role of King Gunnar, who's bald and tattooed and pissed off all the time. Jack Huston and Sophia Myles play Wulfric, Hrothgar's nephew, and Freya, Hrothgar's daughter, respectively. 

The first night in which Kainan is held prisoner, something vicious and unseen attacks the Vikings' settlement under the cover of darkness, leaving several people dead. At first these deaths are blamed on a random animal attack, so a small group of men head out into the woods to track down the beast they think is responsible. King Hrothgar is soon nearly killed by a bear before Kainan intervenes, saving the king and killing the bear. He's hailed a hero and welcomed into their society, not quite "one of them," but no longer a prisoner. However, it's soon made abundantly clear that the thing responsible for the attack on the settlement is still out there...and not only that...but that Kainan is responsible for it being there.

Outlander is big dumb fun, and that's okay. Though it wears a serious face, it doesn't take itself all that seriously, and it's fine with side-stepping potential plot complications by requesting the audience simply suspend disbelief. Even in the very beginning, when Kainan crash lands on Earth and then uses his fun computer gizmos to determine what language the planet's occupants use to communicate, "Norse" pops up on the screen, so he downloads the language, and we soon find he's speaking English, instead (which is what all of our characters will use for the remainder of the film). It doesn't make a whole lot of sense, but then again, neither did the characters in Gladiator speaking English. And if you're tempted to say "hey, that's cheating!" then I suggest you take Kainan's first English-uttered word into account:

"Fuck."

Equal parts sci-fi, action, and horror, Outlander is totally fine with attempting to flesh out its important characters so you can see that the filmmakers are actually trying to elevate the film above what it essentially is: Vikings fighting a monster – a Moorwen, a ginormous thing that looks like a neon dragon and can glow in the dark.

Typing all of this makes it sound like the dumbest movie on Planet Earth, but it's harmless and infectiously enjoyable. It's well-acted, well-directed, and quite violent. Outlander is a B movie cavorting around with a B-movie concept, an A- cast, and A+ visual effects.

Released in something like fifty venues during its initial run, chances are you did not see this thing in theaters. Being that this was a Weinstein Company release, that should surprise exactly no one, as they have a habit of quietly releasing their better genre stuff (see Below), and marketing the hell out of their garbage (see mostly everything else).

But I enthusiastically recommend Outlander. It's refreshing to see James Caviezel in a rare lead role and it's certainly entertaining to see heads fly off. Give it a chance and enjoy yourself. I certainly did.

COMING SOON TO BRITAIN: A GHOST SHIP OF CANNIBAL RATS

Lyubov Orlova: Ghost Ship Carrying Cannibal Rats ‘Could Be Heading For Britain’

A ghost ship carrying nothing but disease-ridden rats could be about to make land on Britain’s shore, experts have warned.

The Lyubov Orlova cruise liner has been drifting across the north Atlantic for the better part of a year, and salvage hunters say there is a strong chance it is heading this way.

Built in Yugoslavia in 1976, the unlucky vessel was abandoned in a Canadian harbour after its owners were embroiled in a debt scandal and failed to pay the crew.

...

Experts say the ship, which is likely to still contain hundreds of rats that have been eating each other to survive, must still be out there somewhere because not all of its lifeboat emergency beacons have been set off.

Source.

NEVER-ENDING ROAD

In Corona, California there once was a road known by most locals as the Never Ending Road. Specifically, the road’s true name was Lester Road. Now, over twenty years later, the landscape of Corona has changed, and the Never Ending Road is no more. However, years ago, Lester Road was an unlit road that people claimed became a never ending road when driven at night. The people who made such a drive were never seen or heard from again.

The legend became so well-known that people refused to even drive Lester Road during the day. One night, like many teens my age, I drove up Lester Road, but only a short distance, and in my headlights it did look like it went on forever. Frightened, I quickly turned around, because if I continued up the road, I thought I might never return again.

Perpetuation of the legend convinced local law enforcement to investigate. Lester Road took a sharp left turn at its end, and there were no guard rails. Beyond the curve lay a canyon, and on the other side of the canyon was another road that lined up so well with Lester Road that when viewed from the correct angle, especially at night, the canyon vanished from sight, and the road seemed to continue on up and over the hill on the other side of the canyon. Upon investigation of the canyon, dozens of cars were found, fallen to their doom, with the decomposing bodies of the victims still strapped to their seats.

Story source.

CLOSE CALL

DESPAIR

Despair 

Dave Caulder III

JESUS!

Guess the Jesus in this photo.

 Give up?

Here's a hint:

HAND PRINT

A photograph allegedly leaked from the Erie, PA, police department appears to show a disproportionately large hand-print on a missing students dorm room window.

19 year old Elizabeth Hetzler disappeared from her dorm in Edinboro University of Pennsylvania on the night of February 12th, 2007. Her room was located on the third floor of the building, the door was locked, and there was no ledge outside her window. Her roommate awoke in the morning, having heard nothing unusual overnight and simply assumed that Elizabeth had left to go to class early. The roommate later told investigators that when she noticed the hand-print, she screamed and knew immediately that “everything Elizabeth had been talking about was true. It was real.”

The previous evening, Elizabeth had remarked to her friends that she’d had a strange experience walking back to her dorm from a late night dance rehearsal. As she made her way across campus, she gradually got the uneasy feeling that someone was watching and following her. “She seemed so relieved to be back in her room again,” her roommate said.

No trace if Elizabeth has yet been found, and investigators have called it the most baffling missing person case of their careers. Since the above image has been circulating the internet for nearly two years, it is difficult to say for certain if it is genuine, although it matches what students and investigators have described (note its size in relation to the coffee pot in the foreground). Remarked Detective Stephen Broze, “You’d think our suspect would be pretty easy to spot. He must stick out in a crowd with eleven-inch fingers.”

REVIEW: HOLLOW CITY

 

Over a year ago, I reviewed Ransom Rigg's first novel about his misfit kids, Miss Peregrine's Home for Peculiar Children. I did it for no other reason other than I found it an enjoyable read with some real emotions built upon the fond recollection of childhood love and nostalgia, so I thought I would share it with you. Strictly by happenstance, I later crossed paths with Quirk Books, the Philly-based publishing outfit responsible for bringing Miss Peregrine to the world. As luck would have it, they offered me the chance to review its highly anticipated sequel, Hollow City, and I happily accepted.

Hollow City picks up precisely where the previous story ended: Jacob, Emma, Bronwyn, and the other peculiar children are now stranded in the middle of the ocean in a few rickety rowboats, their only earthly possessions remaining a couple suitcases of clothes, a doorknob, and a book of fantastical stories. With them trapped by miles of ocean, and Miss Peregrine trapped in the small body of a broken-feathered bird, things seem entirely hopeless. Jacob's peculiar power as one who can sense the presence of a wight, or a hollow, or any manner of dangerous mystical predators, is not yet at this point fully formed, so he feels more isolated than ever: a little more than human, but not quite peculiar, he doesn't feel as if he belongs anywhere anymore.

Hollow City will see our peculiar children undertake several dangerous locations, from forests, to train stations, to the streets of London. And all during this, each of the children, who are now more in the forefront of the action unlike their previous novel, thankfully have more to offer about themselves and a bit of their histories. There's something strangely sweet about these children and how they protect each other in times of danger. There's a wistful kind of feeling to these kids that, depending on the reader, will make the reader recall their own childhood chums. Granted, said chums likely did not have the ability to shoot bees from their mouths, but that didn't make their presence or loyalty any less treasured.

And while Riggs continues to expand upon each of his characters, he also adds a few completely unexpected new ones. Books of this type taking place in an environment where nearly anything can happen can sometimes go off the rails. If there are no rules, it becomes literary anarchy. But Riggs keeps everything grounded using a nice assemblage of both emotion and humor. So when a talking dog shows up with a hat and pipe, just go with it, because this is how it goes in Peculiar Lanf.

One thing you may notice about Hollow City is that, while it's just as impressively written and realized as the previous novel, there's something about the prose that seems a bit more...I'm not sure...poetic? Melancholy? Perhaps it's simply the nature of the story that has left that kind of impression on me, but the events that guide the book along its path seem a bit more..I hate to use an overused word...dark.

The relationship between Jacob and Emma continues to intensify, but also bring with it complications. Theirs is not a typical love story, and even the normal boring folks out in the real world can hardly ever get it right. Riggs continues to effortlessly explore their budding romance; love has gotten all of us into all kinds of trouble, and so Jacob not only has to wrestle with who he is, who his grandfather was, and what his future may or may not entail, he's doing it while slowly falling in love with Emma, and letting that love guide much of his determination to press forward with this strange journey that he has begun.

Also present and accounted for is Riggs' use of antiquated photographs to tell his story. I've not done proper research into the writing of Hollow City because I'm a lazy bum, so I'm not sure if the photographs included here were written into the story they have indirectly inspired, or if they were created after the fact to continue this theme of found photography. Of course it's entirely possible that old photographs of, say, two zeppelins above a mountainous landscape, existed long before the realization of the book, but it still has me wondering, anyway. If nothing else, remember: Internet has connected us with more stories of the fantastic and incredible than any other medium; perhaps at one time, way before ISPs were ever a thing, people collected proof of the abnormal the old-fashion way: by taking a photo. Perhaps, at one time, someone really did have a photo of a boy holding up his sister by her hand...as she's suspended in the air above him upside down. Frankly, I'd rather not know the photos' origins, and it doesn't matter either way, as the story is simply too well-constructed and engaging. I suppose if you find yourself wondering for too long which came first - the photo or the story - then you're simply not being grabbed by all Hollow City is offering you.

GOOGLE DEATH

Type 52.376552,5.198303 into Google Maps. 

You'll find a man dragging a body into a lake.

Just kidding. Turns out it was Rama the Dog.

YOU NEVER KNOW

It could happen to anyone. People bury a person alive to scare them or to get rid of them. In this situation, rely only on yourself.

Do not waste oxygen. In a classic coffin there’s only enough oxygen for about an hour, maybe two. Inhale deeply, exhale very slowly. Once inhaled - do not swallow, or you will start to hyperventilate. Do not light up lighters or matches, they will waste oxygen. Using a flashlight is allowed. Screaming increases anxiety, which causes increased heartbeat and therefore - waste of oxygen. So don’t scream.

Shake up the lid with your hands. In some cheap low-quality coffins you will be able to even make a hole (with an engagement ring or a belt buckle.)

Cross your arms over your chest, holding onto your shoulders with your hands, and pull the shirt off upward. Tie it in a knot above your head, like so:

This will prevent you from suffocating when the dirt falls on your face.

Kick the lid with your legs. In some cheap coffins the lid is broken or damaged already after being buried, due to the weight of the ground above it.

As soon as the lid breaks, throw and move the dirt that falls through in the direction of your feet. When it takes up a lot of space, try pressing the ground to the sides of the coffin with your legs and feet. Move around a bit.

Whatever you do - your main goal is to sit up: dirt will fill up the empty space and move to your advantage, so no matter what - do not stop and try breathing steadily and calmly.

Get up. Remember: the dirt in the grave is very loose, so battling your way up will be easier than it seems. It’s the other way around during a rainy weather however, since water makes dirt heavy and sticky.

SLENDER MAN

NET NEUTRALITY

 

I NEVER write about anything remotely dealing with politics or social issues on this blog. That's not why you come here, and this isn't at all what I want to write about.

But this...there's just no turning a blind eye toward it. I would feel completely ashamed if I didn't at least try help to spread the word about this, what's potentially about to go down, and what it could mean.

First, the issue, using complicated jargon:

On January 14, 2013, the U.S. Court of Appeals for the District of Columbia Circuit struck down the Federal Communications Commission's open internet rules, commonly known as "Net Neutrality" because ISPs are not classified as "common carriers". This ruling allows ISPs to charge companies for access to its users and charge users for access to certain services. Fewer companies will be able to afford access for innovative ideas and products.

We urge the President to direct the FCC to classify ISPs as "common carriers" so that the words of the FCC chairman may be fulfilled: “I am committed to maintaining our networks as engines for economic growth, test beds for innovative services and products, and channels for all forms of speech protected by the First Amendment.”

What this means to you, the avid Internetter, whether for leisure or your job:

CNET: For instance, the ruling opens the door for broadband and backbone Internet providers to develop new lines of business, such as charging Internet content companies, like Netflix, Amazon, or Google, access fees to their networks. Companies like Verizon, AT&T, Time Warner Cable, Comcast, and others could offer priority access over their networks to ensure streaming services from a Netflix or Amazon don't buffer when they hit network congestion, providing a better experience for end users.

NPR: Net neutrality advocates fear that if the federal government stops enforcing rules to keep the pipelines free and open, then certain companies will be able to get greater access to Internet users. That, they say, creates a system of haves and have-nots — the richest companies could get access to a wider swath of Internet users, for example, and that could prevent the next Google from getting off the ground. Judge David Tatel, who was part of the three-judge panel, said that striking down net neutrality could have negative effects on consumers.  "The commission has adequately supported and explained its conclusion that absent rules such as those set forth in the Open Internet Order, broadband providers represent a threat to Internet openness and could act in ways that would ultimately inhibit the speed and extent of future broadband deployment," he said, adding that broadband companies have "powerful incentives" to charge for prioritized access or to exclude services that competed with their own offerings.

Wired: Whether we want to admit it or not, we continue to give more control over the internet to the government.  We’ve been so focused on how the FCC “lost” the net neutrality order, that we may not realize the Commission could now have unchecked powers over regulating the internet, argue TechFreedom’s Berin Szoka and International Center for Law & Economics’s Geoffrey Manne. No matter what you think of government regulation — that it’s always somewhat necessary or inevitably inadequate for complex issues – nothing good comes out of giving any agency unchecked power (just look at the NSA, or even the U.N. attempts at internet governance). What’s worse is that we won’t see it coming, because the FCC’s power will creep in incrementally, on a case-by-case basis — a death by a thousand cuts.

Now that you've soaked all of that in, go here.

HANDPRINT OF CELL 17

In 1877, four men, John Donahue, Edward Kelly, Michael Doyle and Alexander Campbell, were found guilty of the murder of mine boss John P. Jones and sentenced to be hanged.  

The trial was a kangaroo court. Not all of the jurors spoke English. The judge was prejudiced against the Mollie Maguires. Today, appeals would be granted on these grounds. Then, there were no appeals.  

Campbell said he was innocent. He didn’t kill Jones. Although he admitted to being an accessory to murder because he was present when Jones was shot, he was found to be guilty of this capital crime. As proof of innocence, he put his hand on the cell wall before being forcibly removed to be hanged, swearing the print would forever remain as evidence.  

Over the years, county sheriffs have tried to remove the handprint to no avail. 

In 1930, Sheriff Biegler had the wall torn down and replaced. The next day, the handprint reappeared. 

Around thirty years later, Sheriff Charles Neast covered the handprint with latex paint, but it reappeared. His son, Tom, in the 1960s, loved to tell friends about the ghostly phenomenon. Word spread and people visited the Carbon County Jail to see the print.  

Attempts to wash the image away failed.  

In recent years, James Starrs, George Washington University forensic scientist, and Jeff Kercheval, Hagerstown MD police chemist, analyzed the handprint using high tech equipment. They found no logical scientific explanation for the handprint’s existence. They finally measured the exact location of the image in the event it there were attempts to remove it and it reappeared, they would know if the phenomenon returned to the same location or a different one. 

The jail’s last sheriff, Bill Juracka, said he wouldn’t try to remove the handprint.  

The prison was closed and is now the Old Jail Museum. Tour guides show groups Cell # 17 where they can see the ghostly handprint. Campbell’s story is told. It is pointed that, although multiple attempts were made to remove the image, it always returned. Many of those who have visited the museum say the atmosphere is eerie.

LIP SYNC DEMON

LEVITY

EDWARD GEIN: AMERICA'S MOST BIZARRE MURDERER (1981)

As I’ve said before, there’s been no better friend to the horror genre than Edward Gein. Perhaps you’ve heard of him? He killed two women (that we know of), dug up the graves of a dozen more, and kept parts of them in his home for various purposes. Which parts? I’ll let the author of this book tell you in his own words:

“What follows is probably the most unusual case in modern times. It is the story of Edward Gein, America's most bizarre murderer, grave robber, maker of exotic household items, wearing apparel, and possessor of undoubtedly the finest private collection of female heads, vagina, vulvas and unquestionably the most notorious character ever to stand before me in court.”

Without Gein, Robert Bloch would not have written the book that became the ultimate slasher film Psycho; same goes for Thomas Harris, who would not have written The Silence of the Lambs. And perhaps the most “accurate” account of Gein’s crimes, never would we have met Leatherface, Grandpa, and the whole Sawyer clan with Tobe Hooper’s The Texas Chain Saw Massacre. (As far as films go, I’m only naming the good ones. There are far far more titles, and boy, do they plummet that ladder of quality.) Gein even enjoyed a brief appearance in the recent Anthony Hopkins film Hitchcock, in which he was played by character actor Michael Wincott (The Crow).

Being that I am a true crime obsessee, Edward Gein, America's Most Bizarre Murderer  seemed an obvious choice for me. I find Ed Gein to be nearly as fascinating as I do Carl Panzram—in fact, it was through reading Killer: A Journal of Murder that I realized reading horrific accounts that befall humanity when crossing paths with the inhumane, while morbidly interesting, can be that much more interesting when the text utilizes the subject’s own voice. It was after reading this that I decided any further reading on a particular true crime would hinge on that one requirement. After reading something as powerful as Killer:  A Journal of Murder—a tome comprised largely of Panzram’s own words—other true crime accounts I’d read by people unconnected to the cases they were examining utterly paled by comparison.

Though I’m sure true crime authors who have written about all kinds of serial killers/mass murderers have done their homework, I’d rather read about it from the point of view directly connected to the case. That, to me, makes the book seem more legitimate. Very rare can such a book be made up of the subject’s own words, as, by law, a killer cannot profit off the sharing of his or her crimes. The next best thing is to get the story of someone who was there.

Enter Judge Robert H. Gollmar, who presided over the murder trials of Ed Gein.

Wiki crash course:

Edward Theodore "Ed" Gein (August 27, 1906 – July 26, 1984) was an American murderer and body snatcher. His crimes, committed around his hometown of Plainfield, Wisconsin, gathered widespread notoriety after authorities discovered Gein had exhumed corpses from local graveyards and fashioned trophies and keepsakes from their bones and skin. Gein confessed to killing two women – tavern owner Mary Hogan on December 8, 1954, and a Plainfield hardware store owner, Bernice Worden, on November 16, 1957. Initially found unfit for trial, after confinement in a mental health facility he was tried in 1968 for the murder of Worden and sentenced to life imprisonment, which he spent in a mental hospital.

I’m not sure that I would call Edward Gein, America's Most Bizarre Murderer, the definitive account on Ed Gein the man, but as for the crimes that rocked Plainview, Wisconsin, in the late 1950s, as well as the trial that would follow a decade later, it does provide a pretty complete overview of the case. Interviews with psychologists, law enforcement, and transcripts directly from the trial are provided—sometimes with mixed results. When the subject of discussion is of Ed Gein, or his crimes, then the book is incredibly interesting and compulsively readable, but in the interest of providing detailed accounts of how evidence was removed from the scene to satisfy the reader who might, perhaps, doubt that Gein was responsible for the crimes of which he was charged, pages upon pages of explanations on which guns were removed from the scene, and which bullets were found, and which bullets fit which gun, and could you describe how these bullets were loaded into this gun?, and on and on, it can read monotonously after a while. Ditto for the fingerprinting techniques, which also went on for too long.  Again, this was crucial testimony for the prosecution, and I understand its inclusion in the text; it just doesn’t make for compelling reading. For the legally minded, however, I’m sure this particular material reads just as interestingly as the others.

Because why not?

The book really pulls no punches with the sharing of very graphic details, even going as far as including crime scene photographs taken of one of Gein’s victims—flayed and mutilated like a hunter would a deer.

Oddly enough (and perhaps for padding purposes), following a trend the judge noted occurring at the time, also included are examples of “Gein humor”—more specifically, jokes that began circulating following the news of his arrest, and for which type of crimes. These are as bad as you might suspect, but were probably hilarious to Wisconsin farmers in the late 1950s.

Q: Why did Ed Gein's girlfriend stop going out with him?

A: Because he was such a cut-up.

Q: Why did they keep the heat on in Ed Gein's house?

A: So the furniture wouldn't get goose bumps.

And, you know—other jokes just as stupid.

The book ends with one final interview, performed between Judge Gollmar and Ed Gein, with the latter being forever confined to a mental asylum for the criminally insane. This is the only point in the book in which Gein comes off as aloof—even lighthearted—and it makes you wonder if this man had played the entire court system in order to get away with murder. Yes, his sentence was still life behind bars, though they were not prison bars, but those of a hospital, where some of his rights and comforts would still be maintained. To summarize the defense’s entire strategy, a tactic combining claims of an accidental shooting and “I don’t remember what happened” allowed Gein to skate having to plead guilty to murder. And this was perhaps the most interesting part of the book. Yes, women being killed and mutilated, and bodies being unearthed from graveyards, all makes for cheap shocks and creepy thrills, but the most eye-opening was the spotlight on the American justice system. The prosecution and the judge knew Ed Gein was guilty of murdering at least two women, and likely responsible for dozens of other disappearances from surrounding areas. They simply knew it. The dissected body of one of his victims was found strung up in his shed, decapitated, and shackled with ropes as if she were a trophy deer shot during a hunt. But despite this, coupled with the fact that his confession was later thrown out, as it was determined to have been delivered under duress and persuasion, certain evidence obtained during the investigation was deemed inadmissible because preliminary investigating law enforcement did not obtain the proper search warrants to enter his property. That and Gein simply had no motive.

That loopholes like that exist in our justice system is actually scarier than any old murder.

Edward Gein, America's Most Bizarre Murderer is essential reading for anyone interested in the murderous exploits of Ed Gein, or those interested in true crime, but it may perhaps be invaluable to those considering entering law as a career. And if you'd also like to know the silent partner behind some of your favorite horror films, he's been waiting for you. 

SARAH O'BANNON

Coffins used to be built with holes in them, attached to six feet of copper tubing and a bell. The tubing would allow air for victims buried under the mistaken impression they were dead. Harold, the gravedigger, upon hearing a bell, went to go see if it was children pretending to be spirits. Sometimes it was also the wind. This time, it was neither. A voice from below begged and pleaded to be unburied.

"Are you Sarah O'Bannon?" Harold asked.

"Yes!" The voice assured.

"You were born on September 17, 1827?"

"Yes!"

"The gravestone here says you died on February 20, 1857."

"No, I'm alive, it was a mistake! Dig me up, set me free!"

"Sorry about this, ma'am," Harold said, stepping on the bell to silence it and plugging up the copper tube with dirt. "But this is August. Whatever you are down there, you sure as hell ain't alive no more and you ain't comin' up."

Story source.

HAPPY BIRTHDAY, MR. POE

(Definitely click to embiggen.)

LUIS

I HEART YOU, SHANE BLACK

HEY, KNOW WHAT'S A REAL MOVIE?

MY LAST NIGHT BABYSITTING

After much wavering and second guessing, I finally bit the bullet and returned to graduate school last fall. I'm sure several of you know how difficult it is to juggle a rigorous PhD program and a full-time job. I was going to need a small source of income, but wanted something that would allow school to be my first priority. As luck would have it, a good friend of mine knew a family in desperate need of a quality babysitter. Their current sitter had recently graduated high school, and was heading out of state for college. Initially, I felt a little odd accepting work as a babysitter - after all, I was in my mid twenties, a PhD student, and engaged to be married. But hell, the hours were flexible, the money was fantastic, and I could anticipate a great deal of solid study hours after the toddler was sleeping soundly.

To be quite honest, it was smooth sailing from the start. The family was overwhelmingly generous with their money, and their three-year-old daughter, Alison, was quite well behaved, even in all her mischievous, toddler glory. Over the next few months, I found myself up there several times a week, mostly relieving the mother, Renee, in the afternoons so she could run errands and catch a coffee break. I occasionally sat on Saturdays, so the parents could enjoy a date night to the movies. I wasn't especially fond of the weekend night shifts, especially because the family lived in a large home, high up in the mountains, surrounded by acres and acres of trees. During the day, their heavily wooded property was serene and majestic, but once darkness fell, it was eerie in its silence. I tried not to pay attention to the rustling of small, forest animals brushing past bushes, or the sharp snapping of tree branches as the wind went about its nightly weaving. Mostly, I just tinkered around on my laptop, or buried my nose in a textbook until I was relieved to go home.

Everything changed this past February. It was an especially cold Saturday evening, and I was due to babysit around 7 that night. Renee's husband Eric was out of town on business, and she was excited to share a night out with girlfriends. Armed with a backpack of heavy reading, I had my fiance, Marc, drop me off on his way to the gym. The night was mellow; heated up some frozen pizza, drew a bath with an embarrassing amount of bubbles and Elmo toys, and had the kid in bed by 8. I had an exam the following Tuesday, and admittedly had a lot of studying to conquer. My fiance arrived around 9:50, about 10 minutes before I was expecting Renee back home. Right at 10:00, and I mean on the nose, we heard footsteps on the wrap-around deck, and noticed Renee making her way to the front door. I remember finding it funny that I had been concentrating so hard, I hadn't even heard her suburban drive up.

Marc and I exchanged a knowing glance as Renee made her way into the living room where we sat. It appeared she might have had one glass of wine too many that evening, because she had this intoxicating, frozen grin on her face. At first, I chalked it up to booze, but when the grin remained, I started to feel uncomfortable, the way an unknown stranger staring from across a restaurant can make you feel. Renee was usually very chatty, perhaps even a bit ditzy, but tonight, her answers were short, but still polite enough. I began to gather my things, as my fiance continued a game of solitaire on his phone.

Renee sat at the oak dining table, that bizarre and unsettling grin still plastered to her face, and wrote me out a check. There was something painfully uncanny about her movements - they were rigid, forced, almost animatronic. By the time we got down to the drive-way, my fiance and I both had baffled looks on our faces. Renee stood in the window, smiling down on us, waving her hand back and forth. I gave a short nod and wave, keeping my eyes on the gravel. That discomfort wasn't letting go. We walked past Renee's silver suburban, taking note of how absolutely dusty it was. Especially strange for someone that seemed to take her car in for a wash at least once a week. I traced my finger across the passenger door absent mindedly, leaving a light coat of soot on the pad of my index finger. The car was filthy, like it had been through the elements.

"Where the hell did she go tonight? Through a sand storm?" I joked.

"Seriously..." Marc trailed off.

"I'm not the only person who found that whole thing weird, right?" I asked, attempting to keep my voice to a whisper.

"Oh, relax. She was probably just tipsy. Her smile, though...." he said, closing the driver's door.

We began our trek down the winding roads, towards, after a long night of babysitting out in the boonies, what I always liked to call,"sweet, sweet civilization".

The drive from their house to the freeway was dark, lined with redwoods and deer, which I usually quite enjoyed. Tonight, it seemed endless. I had this overwhelming, new desire to be on that highway, surrounded by other cars, amongst other drivers and passengers, heading into the city. We drove for what seemed like too long - something wasn't right. I reached for my phone and glanced at the time - we were usually passing the first gas station by now. I pawed at the handle of my purse, for the first time noticing the bag's weight. Ugh. I had totally forgotten my text book. Reluctant to turn around when we had already been driving for so long, I made amends with the fact that I absolutely needed that text if I had any chance at rocking my exam. Marc let out a groan as he swung the wheel, turning back the way we came. Climbing the hill to Renee's house, I saw that the suburban was no longer in the drive-way. She must had moved it into the garage for the night already. As we made our way to the deck, I saw the burgundy spine of my text on the couch through the sliding glass door. I continued on to the front door and knocked three times - no answer. I knocked again, and then tried the door handle - unlocked, as I usually left it while Renee and her husband were out. We made our way into the house, making sure to keep our footsteps quiet.

"Sorry, it's just me; I forgot my book," I said, trying to keep my voice down. My fiance was a few steps behind me, peeking around the corner.

"Her bedroom door is open, but the lights are off." Marc said, a confused look spreading across his face.

"Renee? I asked, a little louder this time, "Renee, it's me, you still awake?"

Silence.

We walked towards the kitchen, and I noticed the answering machine was blinking - I hadn't noticed it before I had left - there hadn't been any phone calls that night.

I'm not exactly sure what compelled me to push 'play' on that recorder, especially when, for all I knew, Renee and Alison were both asleep, and could be rudely awakened. My finger seemed to hover over that button for a mere second, before I pushed it in, rather aggressively. What I heard on that recording has never, ever left me. The time stamp of the message was 10:14 - we had left the house at 5 after 10.

"Hey sweetie, it's Renee. There is some kind of hold up on the highway here; maybe an accident or road work. I'll probably be about a half hour later than expected. I'm so sorry - help yourself to some dessert while you wait. Hope Alison didn't give you too much grief tonight." Her voice sounded cheery, normal...real.

I looked at Marc; my heart sunk, my eyes flooded with tears.

"A....Alison" I managed to sputter.

Marc disappeared up the staircase to Alison's room, taking steps three at a time. After a painfully long minute, he sauntered down the stairs, much slower than he has ascended them.

"She's fine. Sleeping soundly," Marc said, without emotion.

Marc and I found our way to the living room, where we sat without eye contact or conversation until Renee pulled up the drive way. She seemed exhausted, glad to be home and off the congested road. She chattered on about her evening, wrote me a check with a generous tip, thanked me for my patience, and smiled - the kind of smile that seemed absolutely genuine, and slowly faded when socially appropriate.

We stumbled down to our car in a daze, passing Renee's suburban, which still gleamed from a recent trip to the car wash.

I never had the heart to tell Renee what had happened that evening. I also never found the first check from the grinning woman. I ended up canceling my next two shifts, feigning sickness. I finally e-mailed Renee, telling her that my program was getting especially intense, and that I didn't think it best to continuing sitting for them. She bought the story, and now I'm free...free from the darkness that enveloped the home in the mountains, where I once met a woman who wouldn't stop smiling.

 Story source.

THE WANDERING SOUL

Operation Wandering Soul was a propaganda campaign exercised by U.S. Forces during the Vietnam War. The operation played off the belief of many Vietnamese in the "wandering soul":

It is the Vietnamese belief that the dead must be buried in their homeland, or their soul will wander aimlessly in pain and suffering. Vietnamese feel that if a person is improperly buried, then their soul wanders constantly. They can sometimes be contacted on the anniversary of their death and near where they died. Vietnamese honor these dead souls on a holiday when they return to the site where they died.

U.S. engineers spent weeks recording eerie sounds and altered voices - which pretended to be killed Vietcong - for use in the operation, with the intended purpose of instilling a sense of turmoil within the enemy, the desired result being for the soldier to flee his or her position. Helicopters were sometimes employed to broadcast recordings; the voices called on their "descendants" in the Vietcong to defect and cease fighting.

This is fucked up. Wiki.

ARNOLD KILLS

FLED

A Texas family has fled their home after finding some unnerving things in their daily family videos. The videos were being uploaded to YouTube and subscribers were pointing out a being or creature in almost every single family video. These are just two screenshots of the creepiest sightings, out of the many videos. The family has been blurred to protect their privacy.

---

Now Available:

The world’s oldest celebration comes to life in The End of Summer: Thirteen Tales of Halloween, an anthology that honors the darkest and strangest night of the year. Each story is designed to be intrinsically and intimately about Halloween—its traditions, its myths, and its effects—and they run the gamut from horrifying to heartbreaking. Halloween night is the tapestry through which a haunted house, a monstrous child, a late-night drive to a mysterious destination, and other tales are weaved. Demons are faced, death is defied, and love is tested. And not everyone makes it out alive. The End of Summer has arrived.

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