Haha. What is this?
Man, I swear...one just never knows what's going to show up in one's mailbox. And something like this...something called LIZARDMAN (a title that deserves to be shouted)...well, it's not something I'd normally watch.
"Oh, lord," I'd normally say, "some dude running around in the cheapest Creature From the Black Lagoon knock-off costume? I'd rather eat a hot dog from Sonic."
But, why couldn't I put it down? Why, when I should have thrown it in the drawer where I keep all the other screeners I've either watched or for which I couldn't even muster up the enthusiasm to watch, did I tear the plastic off this thing and give it a watch?
I still don't know, but I'm kinda/sorta glad I did.
Haunted by a terrifying incident in his past, billionaire Bill Hansen seeks revenge by capturing his nemesis—the scaly crypto-creature known as the Lizardman. Enlisting a team of mercenaries and a television personality, Bill sets out to prove to the world that the Lizardman really exists. But when the creature breaks loose at a press conference, all plans are off as the bloodthirsty monster wreaks havoc on the city of Los Angeles.
LIZARDMAN is that puppy who shits in your shoe. (I think I've used this analogy before, but, just go with it.) You want to be mad at it. You don't want to think logically that the puppy is small, still learning, and, my favorite, means well. Your emotional side takes over and you throw out all the calm rationale; instead, you just want to know: "why is this puppy fucking with me?"
Well, I want to know: Why is LIZARDMAN fucking with me? What is it doing inside my head right now? Why does it deviate from overly camp to something being executed with a completely straight face? Is it...joking? Is it trying? Is it doing both, or neither? Is this even happening? Hey, where am I? (Jack Handey, for the win.)
Director Peter Dang (awesome name) hails from the school of Fred Olen Ray, so that should at least offer up a hint as to the thought process behind LIZARDMAN. Camp? Sincerity? Trash? Treasure? Gay? Straight? Canadian? Communist? Libertarian?
LIZARDMAN refuses your labels. It refuses your attempted cataloging. It simply is. It exists. And it's about a man-tall mutant lizard running around North Carolina (and then, later, L.A.) Everything about LIZARDMAN is cheap. Hilariously cheap. You'll recognize no one, marvel at not a single special effect, and not ask yourself a single time, "Gee, how'd they do that?"
But there's no denying LIZARDMAN is fun. It scratches that itch you didn't know you had. Fans of both Z-grade trash as well as "so bad it's good" connoisseurs will certainly find something to enjoy. Never boring, never testing the boundaries of what's "too" straight-faced ridiculous, and surprisingly, at no points poorly made (except for that awful CGI blood), LIZARDMAN is actually worth a damn.
Watch it. Point and laugh, or point and blow kisses. Enjoy it.
Watch it. Point and laugh, or point and blow kisses. Enjoy it.
One more time, for the cheap seats:
LIZARDMAN!
