REVIEW: WORLD OF TROUBLE (BOOK 3 OF THE LAST POLICEMAN TRILOGY)

 

"...But on the core fact there is one consensus: the asteroid 2011GV₁, known as Maia, measuring six and a half kilometers in diameter and traveling at a speed of between thirty-five thousand and forty thousand miles per hour, will make landfall in Indonesia at an angle from horizontal of nineteen degrees. This will happen on October 3. A week from Wednesday, around lunchtime."

Detective Henry Palace returns in the third and final entry in the Last Policeman trilogy, Ben H. Winters' "existential detective series" about one man and the last few cases that fall in his lap leading to the end of days, caused by an asteroid that is on an unavoidable destructive path with the earth. In the first novel, The Last Policeman, Palace's case was his job; in the second, Countdown City, his case was a favor; and in this, the final hurrah for Henry Palace and all the other earthlings, his case is his most personal yet: his sister, Nico, has gone missing, and he's got to find her, desperate to make amends before Maia the asteroid comes along and puts an end to everything. Believing Nico to be in the company of other like-minded folks who are convinced they have found a way destroy the asteroid before it can touch down, Palace, along with his unlikely team of companions - Cortez, a man who'd attempted to kill him with a staple gun in the previous book, and Palace's rescue dog, Houdini - travel the ruined landscapes of America in an effort to find his missing sister. But, as is usually the case, there's more than just a missing sibling. There's two bloody trails leading in and out of an abandoned Ohio police station. There's the barely-alive young girl with the slit throat Palace found in the woods. And there's the missing scientist who may or may not be with this end-of-the-world group of would-be heroes insistent they know how to avert the apocalypse.

World of Trouble is a solid finale for a solid series. The world has continued to regress since the last book, and different factions of people are acting in different ways. Some have taken to the streets in groups of vigilantes to take over stores filled with potential rations; others hide in their homes behind drawn shades, clutching shotguns and nervously peering out windows. Two particular well-meaning teens let all the animals out of the zoo to prevent them from starving to death in captivity, and one of them being immediately cornered by a tiger. These details and the many more flesh out this pre-apocalyptic world and turn it into something both surreal but also entirely believable.

For his swan song, Winters has embraced an almost-The Road type device for his tale, which puts Hank Palace on a rather innocuous task (finding a sledgehammer to bust through a suspicious and newly-installed hatch in a police station parking garage floor), but during which Palace, instead, crosses paths with several different characters, all of whom are reacting to the end of times in very different ways. In prior Last Policeman novels, the characters with whom Palace interacted were all part of the larger mystery - the "point" of the respective novel. But now, instead, there is less of a focus on unraveling a mystery than there is immersing in the drama of this environment. The mystery is still front, center, and fully accounted for, but Winters is instead weaving human experience in and out of Palace's mystery. Each character provides a missing piece of the puzzle, sure, but they're also there to provide something else: humanity.

World of Trouble's ending is bittersweet, and obviously while I won't reveal if the world comes to an end, or if Nico's band of anti-asteroid misfits manage to come through and destroy the means in which the world will end, there's still an ending here:

Hank Palace has solved his last mystery.

Buy it.

READ: COUNTDOWN CITY (BOOK 2 IN THE LAST POLICEMAN SERIES)

The post-asteroid-announcement world sure has changed since we last saw Detective Henry Palace in The Last Policeman, the first book in Ben H. Winters' apocalyptic existential detective mystery series. He's no longer employed by the Concorde Police Department (though he hasn't given up on detecting, either). The populace has grown more savage; animal-like. Survival has become the name of the game, though with an asteroid hurtling toward earth and ready to make contact in 77 days, there is little hope for anyone withstanding its inevitable landing. Palace's former lover is still dead, his last official case as a Concorde detective nearly forgotten by everyone but himself, and he's still holing up in a ramshackle unfurnished house with his adopted dog, Houdini. 

His newest case, taken on gratis in order to help, of all people, the person who used to babysit him and his sister, Nico, when they were kids, involves a missing husband, a strange anti-government conspiracy group, and an anticipated breakdown of society. Familiar characters make reappearances and are along for the ride, some making more significant contributions than others, but all of whom provide a surreal feeling of comfort by proving that Palace hasn't become the isolationist that he considers himself.

Though there wasn't much that needed improving in the series' first book, Countdown City still manages to be a far better read and far more captivating story. Perhaps it's because, by now, the end of days looming over everyone's heads is very established. The dismantling of humankind continues, as it was already well underway, only now this dismantling has achieved a disturbing yet morbidly realistic rapidity. Much like the most basic tenet of mystery-noir, the ground-level crime that Detective Palace is investigating leads him to a path that opens up his eyes to something far more shocking that's occurring, only this time the two events are connected only by a single character, as opposed to an all-encompassing conspiracy under which Palace's crime unfolded, and by which it was directly or inadvertently inspired. What that all means, essentially, is author Ben H. Winters is having fun playing around with genre expectations. 

I love the subtle changes in this world from the first book to this one. I love that law enforcement positions went from being the most rewarded with that old outdated concept called money to the world of Countdown City, in which money has become irrelevant, and essential law enforcement officers are instead paid with rations: bottled water, non-perishable foods. (And god love you if you can find some coffee.) I love that rioting has become so common place so close to the end that our lead character has the ability to turn away from such sights occurring before him on the street with a level of nonchalant indifference that it should be repulsive, only it's somehow instead relieving. 

The ending of Countdown City promises a rather intimate and personal final case for Detective Palace to solve before Maia comes to end everything, which will unfold in the series' final book. The Last Policeman trilogy concludes with World of Trouble (review coming soon).

READ: THE LAST POLICEMAN

If you were a homicide detective who got the call on a dead body, which, when investigated, had all the makings of a suicide and very little of a murder, would you investigate it, anyway? Would you ignore all the obvious makings of someone having taken their life and investigate it as if the deceased were murdered?

And, if the world was doomed to end courtesy of Maia, the asteroid, which was scheduled to hit the planet in a matter of months, would you still investigate? 

That's the big question at work in Ben H. Winter's The Last Policeman, the first in a trilogy involving Detective Henry Palace, a detective with the Concorde, NH, police department.

Falling within the genres of soft science fiction and mystery, though described as an "existential detective novel" by its author, The Last Policeman is an entertaining and enigmatic police procedural, and while these are always fun, it has the added effect of playing out against the apocalypse, which forces several of our characters to confront the big question: why bother? If the world is doomed to end in six months, why bother going to work, eating healthy, walking the dog, solving that murder? What's it all going to mean in the long-run?

The character of Detective Henry Palace easily fits the mold of what has become the typical investigator. He's hard-boiled, haunted by his past, cynical (though not to the point of indifference), and mostly, just trying to do his job that he's being paid to do: a man has apparently taken his life (not an uncommon occurrence in the months leading up to complete devastation), and Detective Palace dutifully investigates the scene. The "victim," Peter Zell, is found in the bathroom stall of a local McDonald's, his belt tied around his neck, strangled to death. Everyone around Palace seems ready to write it off as a suicide and move onto the next thing, but the scene bothers Palace too much - to the extent that he's willing to become a pain in the ass to his superiors and dismissive of the rules and conduct of a New Hampshire police officer. As is demanded by the mystery/noir genre, nothing is what it seems, and Detective Palace peels back layer by layer of what everyone has labeled a standard suicide, revealing something far more surprising beneath. 

The Last Policeman is thrilling, funny (in that sardonic kind of way), introspective, certainly existential, and haunting. The reader will root for Detective Palace from the start, because even though his task to investigate a suicide as a murder seems like a fool's errand in the face of Maia the asteroid and humanity's growing apathy, it's more comforting to believe that there is someone out there who cares enough to embark on such a quest on which most people have already given up. (Plus he's a kind of a generous tipper, throwing down thousands of dollars for his $15 breakfast.)

The Last Policeman is followed by Countdown City, and the final part, World of Touble, is a brand new release from the author; all three are available from Quirk Books (publisher of Miss Peregrine's Home for Peculiar Children.)