Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts

Dec 5, 2013

CLAP CLAP

One day, a young married couple went hiking in the mountains. As the sun began to set, they realized that they were lost. The wife was getting worried, but her husband tried to calm her down and assured her that they would eventually find their way back to their car. However, after walking for hours, they still had no idea where they were.

It was growing dark and the man and wife were getting desperate. They didn’t have a map or a compass with them and all of the trees looked the same. Just when they were about to give up hope, they came across an old cabin in a clearing.

The cabin looked as if it had seen better days. It was dilapidated and seemed like it hadn’t been used in a long time. Some of the windows were cracked and broken and a lot of the tiles had fallen off the roof. The husband knocked on the front door but there was no response. When he turned the handle, it slowly creaked open.

Inside, they found it was in a bad state of disrepair. There was very little furniture and the floor was covered in a thick layer of dust. As the couple cautiously looked around, they noticed a strange atmosphere and a peculiar musty smell.

The walls were covered from floor to ceiling with graffiti. Written in red paint, the words, “Death! Death! Death! Death! Death!” were repeated over and over again.

The man and woman were unnerved. With a shaking hand, the husband reached out to touch the wall. He was horrified to find that the paint was not yet dry.

The couple were very frightened, but they had nowhere else to go. They knew that the mountain was dangerous at night and there were lots of wild animals prowling the woods. Despite the creepy writing on the walls, they decided to stay the night.

Going upstairs, they found a moth-eaten mattress that was covered in stains. The husband and wife wrapped themselves in an old piece of carpet to keep warm and tried to make themselves as comfortable as possible under the circumstances. They lay down together on the mattress and eventually managed to fall asleep.

Sometime after midnight, the couple were awakened by a strange rustling noise. It sounded like someone or something was moving around outside the shack.

“Did you hear that?” asked his wife. “I think there’s somebody out there.”

Her husband listened for a while, but he didn’t hear anything. He got out of bed and walked over to the window. It was too dark outside to see anything. Opening the window, he stuck his head out.

“Who’s there?” he called nervously.

There was no answer.

He was about to go back to bed when his wife said, “Maybe it’s someone who can’t speak…”

The husband returned to the window and said, “Is there anybody out there? Clap once for YES and twice for NO.”

He strained his ears to listen. The stars twinkled in the night sky. The crickets were chirping loudly.

All of a sudden, he heard a loud CLAP!

The man turned to his wife and said in surprise, “You were right. There’s someone out there.”

He leaned out the window and his eyes scanned the darkness. he couldn’t make out anything in the pitch black.

“Are you the owner of this cabin?” he asked.

CLAP! CLAP!

“Are you a man?”

CLAP! CLAP!

“You’re a woman, then?”

CLAP! CLAP!

“Are you human?”

CLAP! CLAP!

A chill ran down his spine. He swallowed hard and croaked, “Did you come here alone?”

CLAP! CLAP!

“How many are with you? Clap once for each person…”

CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP! CLAP!…

Story source.

Nov 22, 2013

GATEWAY OF THE MIND

In 1983, a team of deeply pious scientists conducted a radical experiment in an undisclosed facility. The scientists had theorized that a human without access to any senses or ways to perceive stimuli would be able to perceive the presence of God. They believed that the five senses clouded our awareness of eternity, and without them, a human could actually establish contact with God by thought. An elderly man who claimed to have “nothing to left to live for” was the only test subject to volunteer. To purge him of all his senses, the scientists performed a complex operation in which every sensory nerve connection to the brain was surgically severed. Although the test subject retained full muscular function, he could not see, hear, taste, smell, or feel. With no possible way to communicate with or even sense the outside world, he was alone with his thoughts.

Scientists monitored him as he spoke aloud about his state of mind in jumbled, slurred sentences that he couldn’t even hear. After four days, the man claimed to be hearing hushed, unintelligible voices in his head. Assuming it was an onset of psychosis, the scientists paid little attention to the man’s concerns.

Two days later, the man cried that he could hear his dead wife speaking with him, and even more, he could communicate back. The scientists were intrigued, but were not convinced until the subject started naming dead relatives of the scientists. He repeated personal information to the scientists that only their dead spouses and parents would have known. At this point, a sizable portion of scientists left the study.

After a week of conversing with the deceased through his thoughts, the subject became distressed, saying the voices were overwhelming. In every waking moment, his consciousness was bombarded by hundreds of voices that refused to leave him alone. He frequently threw himself against the wall, trying to elicit a pain response. He begged the scientists for sedatives, so he could escape the voices by sleeping. This tactic worked for three days, until he started having severe night terrors. The subject repeatedly said that he could see and hear the deceased in his dreams.

Only a day later, the subject began to scream and claw at his nonfunctional eyes, hoping to sense something in the physical world. The hysterical subject now said the voices of the dead were deafening and hostile, speaking of hell and the end of the world. At one point, he yelled “No heaven, no forgiveness” for five hours straight. He continually begged to be killed, but the scientists were convinced that he was close to establishing contact with God.

After another day, the subject could no longer form coherent sentences. Seemingly mad, he started to bite off chunks of flesh from his arm. The scientists rushed into the test chamber and restrained him to a table so he could not kill himself. After a few hours of being tied down, the subject halted his struggling and screaming. He stared blankly at the ceiling as teardrops silently streaked across his face. For two weeks, the subject had to be manually re-hydrated due to the constant crying. Eventually, he turned his head and, despite his blindness, made focused eye contact with a scientist for the first time in the study. He whispered “I have spoken with God, and he has abandoned us” and his vital signs stopped. There was no apparent cause of death.


Story source.

Nov 18, 2013

MELVIN

I used to be a ventriloquist. I auditioned for the 4th grade talent show at my school and I won with my pal, Slappy. In 5th grade, I wanted a better dummy. So at an antique mall, I found Melvin. He has real hair and these icy blue eyes that move side to side. They seem to pierce your soul. This will scare those bastards at school.

We auditioned and won again. Melvin was more popular than Slappy, and I got to sign a kid's forehead last year!

After that, me and Mel started an internet series that is still on YouTube. But a few years ago I gave up ventriloquism.

It could be due to my loss of popularity or my lack of joke-writing ability. Or it could be because of the nightmares.

Every few nights I'd wake up in a cold sweat with chills running down my spine. In the nightmares, Melvin would mutilate my family members and say it was because he wasn't getting what he wanted. I started to go mad. I heard voices in my head after that. Melvin's voice, telling me what a worthless piece of shit I was, and how I was only something because he let me be something. I was alive because he let me live.

I made the mistake of telling my family. They took me to a therapist. But when that didn't work, they put Melvin under the house, in the crawlspace. That only made things worse. Melvin's face would appear in my dreams with his twisted grin and piercing blue eyes. He'd open his big red mouth and release a garbled, high-pitched laugh, like an action figure whose batteries were dying. Then blood would flood out. My family began to worry for my mental health, but I knew why this was. It was because Melvin wasn't getting what he wanted.

A month later, I found him in the crawlspace. The voice in my head was going mad. Melvin was furious with me and he threatened to kill my family and make me watch. I pleaded with him to change his mind. I told him I'd do anything if he'd change his mind. He told me he wouldn't kill them...if I did.

I tied him up and put him in a trunk, which I tucked away in the basement. I knew the nightmares would continue, but I had to protect my family.

The next day my therapist asked me to bring Melvin to her. I did so, believing she could stop Melvin. But when I got Melvin out, I set him on the couch next to me, and he opened his mouth and a siren wailed out of it. Meanwhile she told me Melvin was just a dummy and it was all in my head. I started screaming and she ran out of the room to get help. Meanwhile, me and Mel sat on the couch screaming.

So now I'm in the hospital receiving treatment. I don't know what happened to Melvin after my "episode." My family probably got rid of him. I still have nightmares about him. Blood flooding from his mouth, from behind his piercing blue eyes. The doctors keep telling me it's all in my head. I started to believe them. Until I got the news.

My family was dead.

Source.

Nov 14, 2013

DON'T LOOK BEHIND YOU

In the town where I lived, there was an abandoned apartment with two floors. It had broken windows and dirty, crumbling walls, so no locals would ever go near it.

One day, me and my friend decided to explore the place. It was still early in the afternoon and there was a lot of light, so we ventured to the second floor.

And there on one of the doors we found some graffiti.

We went closer to have a look and found some words that said: “I am in the room ahead.”

We decided to go through the door.

We walked until we reached a fork and on the wall it said: “I am on the left.”

We were getting slightly scared but decided to turn left.

Then we came to the place where there were rooms on both sides of us.

And on the wall it said, “My head is on the left and my body is on the right.”

My friend, as soon as he saw it, lost nerve and ran away. But I decided to stay and, mustering all my courage, walked through the door on the right. I walked to the farthest wall in the room and on the wall it said: “My body is underneath.” 
I looked down and on the floor it said: “My head is coming here from the room on the left. Don’t look behind you.”

Oct 14, 2013

#HALLOWEEN: TRICK OR TREAT

Don’t bother trying to find it. You won’t find anything about the name of the town or what happened here. This manuscript will be found long after the events that transpired in this place, but I hope against everything else that you’re someone in a position of power. I pray to God Himself that you can prevent this from ever happening again, but I don’t want to give you too much credit. Like me, you are only human, after all. They are not. They’ve been around for a very, very long time. 
Fat chance, really. You probably don’t want that responsibility, and even if you did take it upon your shoulders to track them down, you can’t single-handedly stop the children. Their manipulators are not “on the grid.” Whoever engineered this is in control of the world on a very disturbing level.

This is what I want you to do. Read this, if they’re still legible, and take what you will from them. Don’t go on a wild goose chase, and realize that when you find this book that it will not be in the place where I left it. They’ll move it somewhere else, to deceive you. I’ve left my mark on a tree there. Only then, when you see my name, will you know, “this is the place.” You may have even heard of it in the history books, but be assured, any rumors on Wikipedia or Google pages that you pull up will be guess-work at best. None of them are even close to the truth. When you find the place, there may already be another town just like it. That’s what I’m trying to stop. If we’re not successful, then just realize, above all things, that evil exists. I’m not talking about bad people, or tragic accidents. I’m talking about real, intelligent, ancient evil. It is calculated, and it is always one step ahead of you. Should you decide to take my place and become the paragon to prevent the corruption of the hearts and minds of children, I thank you in advance.

I told you that I’m human. I lied. I used to be, before All Hallow’s Eve on that fateful night. I’ve been alive since then, far longer than any human being, and the reason is because I love children. I’ve always loved them in their purity and their innocence. That’s why I was taken in by their ruse. That’s why I’ve finally decided to put all this down, centuries later. I won’t be here much longer, and someone has to take up the burden.

I’ve waited… until I saw them return. They’ll be back this year. They’re planning the same thing again, and I can’t stop them. Again, I can’t expect that much from you, but I’m only giving you all this so you’ll believe me. I have to be believable. If you think I’m crazy, you’ll ignore this, and more people will disappear. It’s time to tell you what happened. I’m rambling.

Back then, All Hallow’s Eve was the time for evil’s ascension. You’ve all forgotten. If you left your house on that night in the old country, you were a devil worshipper. “Halloween” was not the term we used. We fled to the shores of this country because we were persecuted for our lifestyle choices. We worshipped nature, the changing of the seasons, the solstice of spring, autumn, winter, and summer. In the purest sense of the word, we were Druids. Our names and accents were English, but we were servants of the earth.

We were some of the first to celebrate it as a holiday. The natives here were puzzled by our behavior, but also frightened by it, and so they left us alone. They misunderstood. We were not the ones to be afraid of. At the time, I was relieved. They’d attacked us in our settlements, time and time again, but as it drew closer to the end of October, they stayed away. Maybe in their own noble bonds with the earth and soil, they knew something terrible was on the horizon.

They were right. John Hunter’s little boy wanted to be a native, with a bow and arrow and a real headdress. Little Mary Taylor made a dress that was crafted after the local schoolhouse teacher’s prettiest outfit. She idolized her educator, of course. They all had their get-ups; they were the first trick-or-treaters in what was to become the United States of America, one hundred and fifty years later. We sent them out to frollick about the settlement, collecting apples and tarts and other sweet things in to their burlap goody bags. There were no Snickers or Milky Ways, and yet, the magic of this “holiday” held no less sway over them than it does the youth of our current time. They dress up as the Joker, the Power Rangers, the Teenage Mutant Ninja Turtles. These children were their predecessors.

I sent my daughter with Mary and John Hunter, Jr. Despite our mistrust and wariness of the Anglican church and the monarchs that presided over it, my little girl was dressed as the Queen of England. I refused to crush her fantasy world, and so I simply indulged her. We heard promises to return after sundown, to say yes ma’am and no sir, and not to linger too long if they were invited inside the households of our community.

We didn’t realize that the house on the edge of the settlement existed until we saw the children go inside. There were no lanterns or sources of light in the windows, no fire or harvest dolls on the outside of the dwelling. As we sat in the middle of the town hall, imbibing in the pleasures of distilled moonshine amongst our brethren, we watched our young ones gravitate across the middle of our town, to the foreboding household that had seemingly been constructed overnight. When we gazed upon it, it seemed as though the place were “shimmering.” It pained my vision to look upon the building, as if my senses were being forced and propelled in another direction. Such a thing is difficult to put in to words, but I seemed to be the only one who realized that our kids were all heading to the same place. When I questioned John Hunter as if something were odd about their actions, he stared at me as if I were insane.

“What do you mean?” he asked. “There’s no house there. They’re going to play by the stockades.”

The sun had set by that point, but as I said before, none of them were concerned. The natives hadn’t shown up for weeks. I decided to walk to the phantom dwelling that only I and the children could see, to peer inside and see who these new settlers were, and why it called to the youths as if it were a black hole in a sea of stars.

I tried to stand outside, to look through the window, but when I saw what was happening, it was too late. I breached the doorway with my buck-knife drawn, but there was nothing about the things inside that I could harm with a weapon.

There’s something deep inside of us, something embedded within the human spirit, that’s perfectly aware when we encounter something truly terrible. Fear, horror, evil, revulsion…. it all hits you in a spastic wave, like a fierce exploding bullet that shatters the innermost parts of your soul with a relentless and powerful fury. I saw it in that moment, standing in that darkened doorway.
 
They weren’t people.

They were halfway there, lingering over the unconscious bodies of my daughter and her peers in their hooded black robes of half-existence. There was one, in particular, who made me feel as though my eyes would pop like ripened cherries when I stared at it. It was the leader, the source of that tug, that pull... and it was slowly fading, disappearing like a gaseous black cloud of death, through my little girl’s nostrils and mouth. She was gasping for air, as if every breath after the one that preceded it were filled with acid... as if she were hungry for real, fresh air in her small lungs. With every breath, the figure faded deeper in to her, along with the rest of them.

I wish I could say that I was a hero, and that I hacked them all to bits; I wish I could say that I saved the day and made Halloween a night when the worst thing that children have to worry about is poisoned candy. It didn’t happen. There was one of them left, floating toward me on elongated, blackened tendrils of shimmering nothingness. By all real means of my imagination, it shouldn’t have BEEN there, but it was, and soon, it was going inside of me. The last thing I saw were their little feet, scurrying out of the phantom-house and in to the town. I FELT that something terrible was about to happen. I had no idea. Everything went black, and then, I was outside of myself. I was conscious, but observing my feet, my hands, doing things beyond my own scope of physical control.

They led me and our children in to our meeting hall, where, of course, the kids were embraced by the open, loving arms of their parents. I witnessed the betrayal, the brutal moments in which the truth instilled by the love for family and offspring would transform in to a cause for the destruction of our village.

They absorbed them. There’s no better adjective for what happened. One moment, they were there, and seconds later, they were nothing but dark essence, filtering in through the eyes and noses and mouths of their devil-children. It was over in minutes. A night that should have been a celebration of nature, of the seasons, had turned in to the end of everything that we knew and loved here in our new land.

I started to fight it. The kids knew. The moment I began to resist, to try and reclaim my limbs and mind from the corrupting influence within, their heads snapped back from their feast of souls to survey me in my struggle. My daughter’s eyes were sunken, black pools of the abyss, devoid of any emotion, any semblance of the bright-eyed stare that she once held for me in all her love and adoration for father. I miss that the most, really. The way she’d run to me when I came in from the fields every evening as the sun went down. I lived for that. What reason do I have to live now, other than to find her and stop them? I’m incapable. That falls on you, my friend.

They took the part of my daughter that counts, the part that I loved and cherished, and turned her into a servant. You ask me why I’m still alive, and again, it’s because I love her, so very, very much. Her body is a hollow shell, filled with the malice and blackness of evils beyond our world.

The black-robed things have grown as centuries have passed. They are from some place that is not of this universe, but their urgency, their hunger, to devour and destroy, is insatiable. It’s an exponential, amplifying contagion on mankind, and All Hallow’s Eve is their pinnacle, their Christmas. I’ve done my best to warn you throughout history, to leave my mark in places where their desolation has left nothing but dust on the wind and empty houses. A deserted football field in a Texas ghost town. A card room in the back of a night club in Chicago, right under the nose of civilization. Roanoke Island, North Carolina, before John Rolfe found it in the aftermath.
 
The thing that I expelled through sheer force of will alone has left me with an unusually long and empty life, devoid of anything but my desire for revenge. I have failed. I’m pleading with you. October 31st is not long away. My little girl, or what’s left of her, is going to lead them to the same place. It’s been re-founded, except now, it hums with sport utility vehicles and cell phones. I don’t want this to happen to your child.

Go to Roanoke, and stop them from repeating the ritual. Those bodies they inhabit now are frail, on their way out. It’s been almost five hundred years. They’ll need new ones on this Halloween. Look for a building that appears as though it shouldn’t be there. It will be across from that very tree where I signed my name, where I made my mark. I changed my title, named myself after the tribe of natives who knew it was coming…. who, perhaps, tried to warn us, but for some reason, we failed to heed or recognize their warnings. They were more closely attuned to the earth than us, and yet, they were still wiped out, eventually.
 
Trick or treat?

Go now. You don’t have much time.

- Croatoan

Story source.

Oct 12, 2013

#HALLOWEEN: RECOMMENDED READING: HALLOWEEN – MAGIC, MYSTERY, & THE MACABRE


The Halloween anthology has become a large part of my yearly October traditions – whether decades old or hot off the press, I’m always eager to snap up a “new” one and give it a read. These days it’s easier than ever to slap together an anthology, upload it to CreateSpace or whatever self-publishing medium, and unleash it onto the world. Amazon is dripping with e-books available for free download offered by hopeful authors, and like anything else that becomes saturated to that extent, it becomes difficult to find the truly special collections.

And here we have Halloween: Magic, Mystery and the Macabre, edited by Paula Guran, barely a month old as I write this. The cover sports names that I certainly recognize, but most of them do not ring a bell. I did enjoy Guran’s previous collection, simply titled Halloween, for the most part, and she was kind enough to lend me a copy of her second anthology to read and present as part of my October celebration.

Eighteen stories make-up this collection, and let me just spare both you and myself the following: This time out I’ll avoid doing my usual breaking down of each story, as we’ll be here all day and no doubt there are pumpkins out there to be carved and witchy ceremonies to perfect. As I’ve mentioned before, anthologies by nature are a Rorschach test. For those of a less critical mind, I suppose it’s easier to find an anthology in which every story enthralls and entertains, but frankly, it’s tough to put out such a collection with different authors taking different directions that still manages to please everyone. That’s the beauty of the individual.

Halloween: Magic, Mystery and the Macabre is no different.

So, the standouts:

Norman Partridge is an author with whom I am well familiar, as his novel, Dark Harvest, is frankly one of my favorites. (Read all about that one here.) His contribution here, “The Mummy’s Heart,” is hands-down one of – if not the – best in the collection. A story that begins with two brothers setting out for an innocent night of trick-or-treating and encountering a local kid named Charlie Steiner, who may very well have lost a little bit of his mind and perfected his mummy costume to the extent that he ordered water scum from the River Nile and cut off his own tongue. When the boys cross paths with this mummy, the story is legitimately eerie and upsetting—and it packs a rather hurtful revelation. Partridge is great with details, insofar as making each minor thing such as the moon or darkness seem alive and contain motive. He writes his story with such a realistic approach that it honest-to-gosh feels like it happened to him. At one point he even says something to the effect of, “Google it and see for yourself,” which I fully admit to doing.

The first part of “The Mummy’s Heart” seems like nothing more than haunted childhood recollection. You nearly expect it to end once the faux ending occurs, but there’s much more to this story – so much that it goes from a pulpy monster story to something much more haunting and heartbreaking. “The Mummy’s Heart” plays around with this idea of becoming someone else on Halloween night with the aid of a mask and costume, but what it really seems to be about is being driven to insanity by the idea that one is not happy with the person they are and wishes to become someone/thing else – and will do nearly anything to make that transition happen. And that’s just for the “villain.” It also plays around with refusal to recognize reality for what it is – to be haunted by dreams much more than nightmares. It’s the reason I continue to celebrate Partridge the author as years go by. He so easily writes about human emotion and longing that frankly it doesn’t matter what kind of ghastly device he’s using to frame his story – it’s always about much more.

Laird Barron continues this theme of love lost and found with “The Black Dog,” a tale in which a young (?) couple meet on a blind date in a restaurant. They embark on witty banter and attempt fact-finding missions about each other – the usual first-date kind of stuff. But here’s the thing: Is she, in actuality, dead? Is he? Both, or neither? Under the All Hallow’s sky, these two lost souls meet and remember what it is to yearn again. Though it’s told primarily from the man’s point of view, the woman provides us enough insight that it’s clear she’s just as troubled and lonely as he is.

There’s a beautiful ambiguity draped over every inch of “The Black Dog.” As the story progresses, you nearly want to race through every sentence to unearth the revelation that will hopefully explain the very odd circumstances in which these two people have found each other. A meal at a restaurant to a night walk across a bridge to sitting together in the woods – it’s a first date many would be consider to be ideal…except for that ominous idling van, of course.  By my nature I’m attracted to things with a certain kind of sad beauty. It’s a reason why I love the works of Norman Partridge, and it’s also why I’ll certainly be checking out more work by Laird Barron, as well.

Source.

Switching things up is “For the Removal of Unwanted Guests” by A.C. Wise. A story about a man named Michael moving into his new house who must contend with the random witch who shows up on his doorstep telling him she’ll be moving in. Just like that. The witch brings with her a black cat, as well as every manner of magical skill – she knows that one of the steps in the house is made of wood taken from a shipwrecked vessel, or the answer to one of the riddles in the old crossword puzzle Michael is holding. (She’s a witch, after all.) At first Michael wants nothing more than for her to leave – he even finds a spell in the witch’s book of magic strictly dedicated to (insert the story’s title here) – but after a while, what should be an easy decision to make becomes one with which he wrestles, to the point he might even MISS her once she’s gone…

“For the Removal of Unwanted Guests” is wonderfully and addictively absurd, yet charming. It’s a quirky story that seems to become more so as the pages turn. It’s nice counter-reading to the other darker and more haunting stories. There’s nothing especially horrific about the tale, except of course for something Michael’s unwanted guest states:
“Life isn’t fair. Nobody gets to choose whether they have a normal happy one or not. If they did, do you think anyone would get sick, or have their hearts broken? Would anyone die? It doesn’t work that way.”
Still, it might just be the most horrific statement in the entire book…because it’s absolutely true.

“We, the Fortunate Bereaved” by Brian Hodge breathes life into the scarecrow legend of Halloween, which may or may not be rooted in historical lore. The scarecrow has been associated with Halloween for a long time, and Hodge’s story concocts a perfectly appropriate scenario as to why. Every year on Halloween night, in the town of Dunhaven, townspeople gather objects that symbolize the dearly departed in hopes that, if left as an offering, the spirit of their deceased loved one will fill the scarecrow and share a message with the bereaved. Many townspeople vie yearly for this chance, and among them for the first time are Bailey and her young son, Cody, who wishes to see the resurrected spirit of his father, Drew. Also hoping to see the return of a loved one is a young woman named Melanie, whose sister, Angela, went missing several years before and was never found, so was presumed dead.

I rather liked this story, as it reinforces the idea of “maybe it’s better not to know.” Cody is eager to ask his father about the afterlife and what the “rules” are, while Melanie wants to ask Angela who was responsible for her disappearance and death. The story’s themes are open to multiple interpretations, but I prefer to think that existence, as we know it, is so terrible – lacking actual humanity amongst its humans – that the dead don’t so much as choose to come back as they’re forced to.

As you can imagine, I’m really fun at parties.

These aren’t the only stories in the collection worth a read, but they were my personal favorites. Halloween: Magic, Mystery and the Macabre, as they say, has something for everyone. I’m personally drawn toward the dark and bleak, and so stories of that nature were my own highlights. But the book celebrates every kind of genre and approach – real history is intertwined with lycanthropy; real international conflicts are explored through themes of cults, insanity, and vampirism; some stories are quirky, some are anything but. My one real complaint about the anthology (and it’s one I often have with Halloween anthologies) is that while many of the stories contain Halloween elements, they’re not actually about Halloween in any way. Werewolves and vampires are fun and all, but their only ties to Halloween are that they’re spooky and monstrous, and so is Halloween, and so therefore, a connection. However, I can’t in good conscience say any of these stories are poorly written because they’re not; they’re just not entirely what the title promises.

Still, I heartily recommend Halloween: Magic, Mystery and the Macabre. The book itself is nice and weighty; its girth confirms you'll be getting a lot of bang for your buck. It's not quite as large as, say, October Dreams, but it's certainly one of the larger anthologies out there that (mostly) celebrates this time of year. Pretty jacket art, too.

Paula Guran has released a second collection of strong stories, and though not all of them will scratch that Halloween itch, most of them will, and that’s worth the price of admission alone.

Contents:
Introduction: New Boo – Paula Guran
Thirteen – Stephen Graham Jones
The Mummy's Heart – Norman Partridge
Unternehmen Werwolf – Carrie Vaughn
Lesser Fires – Steve Rasnic Tem & Melanie Tem
Long Way Home: A Pine Deep Story – Jonathan Maberry –
Black Dog – Laird Barron
The Halloween Men – Maria V. Snyder
Pumpkin Head Escapes – Lawrence C. Connolly
Whilst the Night Rejoices Profound and Still – Caitlín R. Kiernan
For the Removal of Unwanted Guests – A. C. Wise
Angelic – Jay Caselberg
Quadruple Whammy – Chelsea Quinn Yarbro
We, The Fortunate Bereaved – Brian Hodge
All Hallows in the High Hills – Brenda Cooper
Trick or Treat – Nancy Kilpatrick
From Dust – Laura Bickle
All Souls Day – Barbara Roden
And When You Called Us We Came To You – John Shirley

Buy.




Contest!


If you've read this far, then you're in luck. I'll be giving away one copy of Dark Harvest, a novel by Norman Partridge, one of the authors featured in the above collection. 


You only have to do two things:

1. "Like" The End of Summer on Facebook.


2. E-mail endofsummerblog@gmail.com (subject line DARK HARVEST CONTEST), verify your Facebook name, and share with me one of your favorite Halloween books. It doesn't necessarily have to be about Halloween – just something you may read every year to celebrate. Most importantly: Tell me why you read it! 


That's it!

(Contest closes at 11:59 p.m. on Saturday, October 19. Winners will be contacted via e-mail.)




Oct 11, 2013

#HALLOWEEN: CRAPPYPASTA: THE ACCIDENT

The one was a bunch of kids that always dressed up like it was Halloween and there parents didn’t like them so they told the bud driver to chain them up and take them to a quarry and run the bus of the cliff so the bus driver turnened into the quarry and the little vampire kid got out of his chains and killed the buss driver and drove the buss right off the cliff the all died and 8 years later on Halloween 4 kids investigated the place and the kids came out of the quarry and ate all the kids butt one
Um...[sic].


God love you, Crappypasta.

Sep 25, 2013

TULPA

Last year I spent six months participating in what I was told was a psychological experiment. I found an ad in my local paper looking for imaginative people looking to make good money, and since it was the only ad that week that I was remotely qualified for, I gave them a call and we arranged an interview.

They told me that all I would have to do is stay in a room, alone, with sensors attached to my head to read my brain activity, and while I was there I would visualize a double of myself. They called it my "tulpa."

It seemed easy enough, and I agreed to do it as soon as they told me how much I would be paid. And the next day, I began. They brought me to a simple room and gave me a bed, then attached sensors to my head and hooked them into a little black box on the table beside me. They talked me through the process of visualizing my double again, and explained that if I got bored or restless, instead of moving around, I should visualize my double moving around, or try to interact with him, and so on. The idea was to keep him with me the entire time I was in the room.

I had trouble with it for the first few days. It was more controlled than any sort of daydreaming I'd done before. I'd imagine my double for a few minutes, then grow distracted. But by the fourth day, I could manage to keep him "present" for the entire six hours. They told me I was doing very well.

The second week, they gave me a different room, with wall-mounted speakers. They told me they wanted to see if I could still keep the tulpa with me in spite of distracting stimuli. The music was discordant, ugly and unsettling, and it made the process a little more difficult, but I managed nonetheless. The next week they played even more unsettling music, punctuated with shrieks, feedback loops, what sounded like an old school modem dialing up, and guttural voices speaking some foreign language. I just laughed it off - I was a pro by then.

After about a month, I started to get bored. To liven things up, I started interacting with my doppelganger. We'd have conversations, or play rock-paper-scissors, or I'd imagine him juggling, or break-dancing, or whatever caught my fancy. I asked the researchers if my foolishness would adversely affect their study, but they encouraged me.

So we played, and communicated, and that was fun for a while. And then it got a little strange. I was telling him about my first date one day, and he corrected me. I'd said my date was wearing a yellow top, and he told me it was a green one. I thought about it for a second, and realized he was right. It creeped me out, and after my shift that day, I talked to the researchers about it. "You're using the thought-form to access your subconscious," they explained. "You knew on some level that you were wrong, and you subconsciously corrected yourself."

What had been creepy was suddenly cool. I was talking to my subconscious! It took some practice, but I found that I could question my tulpa and access all sorts of memories. I could make it quote whole pages of books I'd read once, years before, or things I was taught and immediately forgot in high school. It was awesome.

That was around the time I started "calling up" my double outside of the research center. Not often at first, but I was so used to imagining him by now that it almost seemed odd to not see him. So whenever I was bored, I'd visualize my double. Eventually I started doing it almost all the time. It was amusing to take him along like an invisible friend. I imagined him when I was hanging out with friends, or visiting my mom, I even brought him along on a date once. I didn't need to speak aloud to him, so I was able to carry out conversations with him and no one was the wiser.

I know that sounds strange, but it was fun. Not only was he a walking repository of everything I knew and everything I had forgotten, he also seemed more in touch with me than I did at times. He had an uncanny grasp of the minutiae of body language that I didn't even realize I was picking up on. For example, I'd thought the date I brought him along on was going badly, but he pointed out how she was laughing a little too hard at my jokes, and leaning towards me as I spoke, and a bunch of other subtle clues I wasn't consciously picking up on. I listened, and let's just say that that date went very well.

By the time I'd been at the research center for four months, he was with my constantly. The researchers approached me one day after my shift, and asked me if I'd stopped visualizing him. I denied it, and they seemed pleased. I silently asked my double if he knew what prompted that, but he just shrugged it off. So did I.

I withdrew a little from the world at that point. I was having trouble relating to people. It seemed to me that they were so confused and unsure of themselves, while I had a manifestation of myself to confer with. It made socializing awkward. Nobody else seemed aware of the reasons behind their actions, why some things made them mad and others made them laugh. They didn't know what moved them. But I did - or at least, I could ask myself and get an answer.

A friend confronted me one evening. He pounded at the door until I answered it, and came in fuming and swearing up a storm. "You haven't answered when I called you in fucking weeks, you dick!" He yelled. "What's your fucking problem?"

I was about to apologize to him, and probably would have offered to hit the bars with him that night, but my tulpa grew suddenly furious. "Hit him," it said, and before I knew what I was doing, I had. I heard his nose break. He fell to the floor and came up swinging, and we beat each other up and down my apartment.

I was more furious then than I have ever been, and I was not merciful. I knocked him to the ground and gave him two savage kicks to the ribs, and that was when he fled, hunched over and sobbing.

The police were by a few minutes later, but I told them that he had been the instigator, and since he wasn't around to refute me, they let me off with a warning. My tulpa was grinning the entire time. We spent the night crowing about my victory and sneering over how badly I'd beaten my friend.

It wasn't until the next morning, when I was checking out my black eye and cut lip in the mirror, that I remembered what had set me off. My double was the one who'd grown furious, not me. I'd been feeling guilty and a little ashamed, but he'd goaded me into a vicious fight with a concerned friend. He was present, of course, and knew my thoughts. "You don't need him anymore. You don't need anyone else," he told me, and I felt my skin crawl.

I explained all this to the researchers who employed me, but they just laughed it off. "You can't be scared of something that you're imagining," one told me. My double stood beside him, and nodded his head, then smirked at me.

I tried to take their words to heart, but over the next few days I found myself growing more and more anxious around my tulpa, and it seemed that he was changing. He looked taller, and more menacing. His eyes twinkled with mischief, and I saw malice in his constant smile. No job was worth losing my mind over, I decided. If he was out of control, I'd put him down. I was so used to him at that point that visualizing him was an automatic process, so I started trying my damnedest to not visualize him. It took a few days, but it started to work somewhat. I could get rid of him for hours at a time. But every time he came back, he seemed worse. His skin seemed ashen, his teeth more pointed. He hissed and gibbered and threatened and swore. The discordant music I'd been listening to for months seemed to accompany him everywhere. Even when I was at home - I'd relax and slip up, no longer concentrating on not seeing him, and there he'd be, and that howling noise with him.

I was still visiting the research center and spending my six hours there. I needed the money, and I thought they weren't aware that I was now actively not visualizing my tulpa. I was wrong. After my shift one day, about five and a half months in, two impressively-sized men grabbed and restrained me, and someone in a lab coat jabbed a hypodermic needle into me.

I woke up from my stupor back in the room, strapped into the bed, music blaring, with my doppelganger standing over me cackling. He hardly looked human anymore. His features were twisted. His eyes were sunken in their sockets and filmed over like a corpse's. He was much taller than me, but hunched over. His hands were twisted, and the fingernails were like talons. He was, in short, fucking terrifying. I tried to will him away, but I just couldn't seem to concentrate. He giggled, and tapped the IV in my arm. I thrashed in my restraints as best I could, but could hardly move at all.

"They're pumping you full of the good shit, I think. How's the mind? All fuzzy?" He leaned closer and closer as he spoke. I gagged; his breath smelt like spoiled meat. I tried to focus, but couldn't banish him.

The next few weeks were terrible. Every so often, someone in a doctor's coat would come in and inject me with something, or force-feed me a pill. They kept me dizzy and unfocused, and sometimes left me hallucinating or delusional. My thoughtform was still present, constantly mocking. He interacted with, or perhaps caused, my delusions. I hallucinated that my mother was there, scolding me, and then he cut her throat and her blood showered me. It was so real that I could taste it.

The doctors never spoke to me. I begged at times, screamed, hurled invectives, demanded answers. They never spoke to me. They may have talked to my tulpa, my personal monster. I'm not sure. I was so doped and confused that it may have just been more delusion, but I remember them talking with him. I grew convinced that he was the real one, and I was the thoughtform. He encouraged that line of thought at times, mocked me at others.

Another thing that I pray was a delusion: he could touch me. More than that, he could hurt me. He'd poke and prod at me if he felt I wasn't paying enough attention to him. Once he grabbed my testicles and squeezed until I told him I loved him. Another time, he slashed my forearm with one of his talons. I still have a scar - most days I can convince myself that I injured myself, and just hallucinated that he was responsible. Most days.

Then one day, while he was telling me a story about how he was going to gut everyone I loved, starting with my sister, he paused. A querulous look crossed his face, and reached out and touched my head. Like my mother used to when I was feverish. He stayed still for a long moment, and then smiled. "All thoughts are creative," he told me. Then he walked out the door.

Three hours later, I was given an injection, and passed out. I awoke unrestrained. Shaking, I made my way to the door and found it unlocked. I walked out into the empty hallway, and then ran. I stumbled more than once, but I made it down the stairs and out into the lot behind the building. There, I collapsed, weeping like a child. I knew I had to keep moving, but I couldn't manage it.

I got home eventually - I don't remember how. I locked the door, and shoved a dresser against it, took a long shower, and slept for a day and a half. Nobody came for me in the night, and nobody came the next day, or the one after that. It was over. I'd spent a week locked in that room, but it had felt like a century. I'd withdrawn so much from my life beforehand that nobody had even known I was missing.

The police didn't find anything. The research center was empty when they searched it. The paper trail fell apart. The names I'd given them were aliases. Even the money I'd received was apparently untraceable.

I recovered as much as one can. I don't leave the house much, and I have panic attacks when I do. I cry a lot. I don't sleep much, and my nightmares are terrible. It's over, I tell myself. I survived. I use the concentration those bastards taught me to convince myself. It works, sometimes.

Not today, though. Three days ago, I got a phone call from my mother. There's been a tragedy. My sister's the latest victim in a spree of killings, the police say. The perpetrator mugs his victims, then guts them.

The funeral was this afternoon. It was as lovely a service as a funeral can be, I suppose. I was a little distracted, though. All I could hear was music coming from somewhere distant. Discordant, unsettling stuff, that sounds like feedback, and shrieking, and a modem dialing up. I hear it still - a little louder now.

Story source.

Sep 20, 2013

THE THING IN THE WINDOW

That thing has been there for almost a week. The figure in the window. It looks featureless - only skin on a human frame - and it's pressing itself against the glass somehow. I don't know how it got there, and I don't know how to get rid of it.

At first I thought it was a prank - a doll or mannequin that some jerks put there to scare me. But I realized as I walked out of my house to pull it away... it wasn't there. I shrugged it off, thinking that someone had hidden it while I was walking through my door. But I went back in and looked out that same window, and it was looking in, staring at me. I walked around my house, yelling for whoever it was to come out, but no one was there. The thing is hairless and naked, and it didn't look like it actually had eyes, or even a face at all. But its head is turned towards me when I enter the room. When I sit on my computer, I can feel its faceless hatred boring into my neck. But when I turn around, it's innocently turned in a different direction.

Finally on Thursday, I tried to open the window, but it's stuck. I think the thing's hands are keeping it down. But I got a good look at its face. Its eyes and mouth are behind the skin, pushing outward.

It stared at me, smiling.

I pulled back a fist and smashed it onto the glass, determined once and for all to get rid of the glaring monster. I know I’m strong enough. That glass should’ve cracked.

But it didn’t. It shuddered under my hand, but it didn’t break. And that smile just got wider and wider and wider, until I thought its head would break in half. It raised its own hand and bashed the window with its palm. It was mocking me. But I saw the faintest crack begin to appear where it had hit, and I backed away.

No way did I want that smile in the same room as me.

So I got a roll of duct tape, and I started covering the window. I couldn’t look directly at it; I nearly shit my pants just knowing it was watching me. But I couldn’t help it. I took a quick glance at that skin-covered face. A small peek.

It was angry.

That menacing grin was now a gaping frown full of teeth. The skin had ripped away from its mouth and I could see down its cavernous throat. A menacing rumble started to fill the house, and that hairline crack began to spread like splintering ice. I pulled down the duct tape. The rumble stopped, the split skin healed over, and it began to smile again.

Now it’s night, and the noise hasn’t started again. There are no sounds, no rumble, no crackling glass. Everything’s quiet now.

But I can feel its claws gripping the back of my chair. I can hear its skin stretching as it smiles.

It’s watching me type.

Story source.

Sep 15, 2013

CRAPPYPASTA: DYLAN

Dylan Darksman. A friend, a son, and a demon. Three friends, that’s all it took. One was a stealer. One stole his heart, and kept it. One was a backstabber.

He had enough. He was bullied, and was sick to the mind. Doctors tried, therapists wondered, but no help for the boy. So in order to make him “happy” he went to the senior prom. He gave each a last chance. They blew it. He killed himself, in front of everyone. Everyone is forgiven? No. Satin convinced him. Who said the devil wasn’t sly? As an angel, you’re not that sweet. Dylan marked each with HELL. He had the H. Christi, the heart stealer, was marked with E. Jade, backstabber, was marked with L. And Drake, stealer, got the other L.

The Marks of Death.

Jade
4:34 Am. She woke up to the sound of a crash. Being her curious self, she went downstairs. A faint snicker ran across the room. Her parents left to work. Being 19 she knew how to take care of herself. A figure appeared in the kitchen. She jumped in surprise. “Hey buddy.” She knew the voice. Dylan. Large black wings extended from his back. “W-why..?” In an instant he was in her face. He grabbed her face. “I’ll make it quick.” He said in a whisper. He kissed her, and she fell to the ground. Ever heard of the kiss of death?

Christi
“Oh my god, I’m so wasted!” She cried waddling next to her friend. The music was pounding loud. With her fake ID and beauty she got herself Anywhere. 4:44 am. “Yo, I gotta go to the bathroom, don’t, don’t go,” she said. She went to the bathroom, but on her way, a man made her hold it. He gave her the look, and right then they were kissing. “Come with me,” he whispered in her ear. They left the club and entered in his convertible. “This is soo crazy!” She laughed. She turned to the guy. But it wasn’t him. Dylan locked both doors. Christi screamed, and looked back, facing a gun. “You know I sorta liked you, but you’re a terrible kisser.” He pulled the trigger. He drove and stopped by the edge of the cliff. He pushed the car with Christi and the car plummeted down 80 feet into the shark infested water.

One night stand.

Drake
4:54 am. Drake became paranoid after Dylan’s death. He knew he was coming. He believed in evil and what it can do. Dylan being dead, he can do anything. Which counts taking over one’s mind. So with Drake, he entered his mind. They were buddies since Pre-K. But Drake meant nothing to him. He wanted to destroy Drake from the beginning. Drake was better than him at everything. He controlled Drake’s mind. He went into the bathroom, and grabbed as many pills as he can. He forced to gobble down every single one. It was a No- brainier if you will.

So Dylan got his revenge. That is all he wanted, but you can not escape the Devil’s power. So now Dylan will be forever a spawn of evil. A death angel. A monster.

Dylan ofcourse got payback. He will help anybody with the same desire.

Go to your bathroom, out your hand on the mirror. Turn off the lights. Leave one candle to show respect for the dead. And then chant these lines.

Oh! Dylan! May you show yourself for have I have the same desire to destroy those who did wrong to me!

Do Not Stutter, he hated that. He would also kill you if you do.

Turn on the lights and he will be there, in black. Curly red hair. A piercing on his cheek and one wing extended. He also has the lip stain that Christi has given him.

If he is not there, well…. Good luck and I will pray for your soul…little demon.



You better get used to seeing these here. Crappypasta is my new favorite thing.

Sep 8, 2013

THE DREAMCATCHER

I would have never known had I not seen it with my own eyes. The dream catcher. Not the things we hang in our windows, those awful summer camp crafts projects made of sticks and ropes and feathers and such. No. The dream catcher whom nobody has dared to see, imagine or come to understand. To call it a person would be an insult to all things real. Then again it is as real as the people it claims. More so the children…

You see I had lost my child many years ago. Lost in the true sense…to the unknown. As he played in the woods behind our cabin in the rural hills of Maine. A place so remote we typically went months during the winter sheltered in our modest log cabin, living off the earnings we had saved throughout the summer on rations and supplies we stocked in fall.

It all happened one cold and crisp autumn day. One of the last few a child his age could go out and play before the winter confined us. He begged me to go outside knowing how once winter sank its teeth into the air he would have little or no chance to run and play. Understanding this I allowed it as we worried not of strangers as there were none to worry about. I was preparing some of the food we would need preserved for the upcoming solitude as he exited the house for the last time. After about an hour or so I failed to hear the distant sounds of childlike imagination being brought to life through stick swords and tree monsters. I looked out the window and saw nothing. My son (no stranger to wandering off) prompted me to grab my coat and go in search. After about five minutes of calling his name…Charlie!…CHARlie!…CHARLIE!!! I began to panic.


Three weeks, five police searches and two helicopter flyovers later the storm hit. Charlie was lost and all efforts to search were called off. I was alone and had nothing to comfort my thoughts but the chance that somehow…some way he was still alive. Out there…somewhere. Chance…like a candle in a hurricane. Then the dreams began.

At first they woke me. Blurry visions of being half awake…not so much the sight but the sounds. Charlie calling for me…daddy…daddy…Only to come to my senses and plunge back into that despair. More than once I thought of ending it all…but that candle…that fucking candle would not go out. I could only think of one worse fate than the loss off my son. That would be to leave this world only to have him return. I could not let that happen…I had to know.

After a few weeks the dreams became more and more lucid. I could now see Charlie but not how I remembered. Almost like a ghost…transparent. But unlike a ghost, all grey and muted, he was golden. Almost like looking at a light bulb through a piece of parchment. He called for me…daddy…daddy…I’m here! I’m here with the dream catcher. I now had a new tormentor…my own mind.

It was now March and the weather finally broke. An entire winter of merciless wind and snow. Piled high well above the edges of the roof was the remnants of the worst winter anyone can recall. I needed to get out. Months of dreaming and pacing and planning. What would I do, where would I go? Nobody to calm my already shaken nerves, no thing to keep me grounded. Was I mad? Perhaps but it would not stop me from trying.

I packed all I could carry knowing I would find my boy, in any state…or die trying. The first days trek carried me deep into the forest. I spent a good week (or what seemed like it) wandering farther into the unknown. I had no sense of direction or care for it anyway. After all I was searching for something that had no location. Each gust of wind brought me in a new direction…a faint whisper of “daddy”, “I’m here”, “daddy”, “I’m here”. Was it real or just the cruel residue of my dreams. At this point I cared not. I had nothing left to lose.

Then I saw it…or more so him. My son. Not the boy I had known growing up all those years, running and playing and full of life. No. This was what was left.

Hung between two trees, by hands and feet was the skin of my child…pulled taught and hardened by the cold blustery winter. As I approached, the sun shone from behind creating the warmest glow I have ever seen. Fiery gold piercing through the holes that were his eyes, and nose, and mouth. I stumbled, devoid of all energy to face him. As I wept, knowing he was gone, and in the cruelest way…a gentle breeze blew from the direction of the sun behind him…his hide softened and bowed to the breeze, filling his empty shell with form. The wind whispered through his mouth…daddy…I’m here…I’m here with the dream catcher…

Sep 3, 2013

ENDINGS

Jesse flipped through the records in the clearance rack at Second Spin, one of the many stores down on Main Street. He had recently gotten into older music, and further, collecting it on vinyl. There was something mysterious about vinyl records that Jesse found intriguing, precisely because the end of the record era pre-dated Jesse’s birth by thirty years, give or take. He spent much of his free time searching through the many vinyl crates in Second Spin. Every record he pulled out and examined was like a treasure—forgotten for years until he came along to discover it.

While on one of his routine searches, he pulled out a record that had an interesting design. Its entirely black cardboard folder was in pretty flawed condition, as if it had been in many homes over the years. There was no title on the front, and when he flipped it over, he saw the record contained only three songs:
  
1. Demon of Darkness
2. Invoke
3. Endings
  
Jesse was annoyed by the lack of information on the album, such as the record company that had produced it, or even the name of the band that had recorded it...but there was something about it that compelled him to bring it home. The vinyl at Second Spin was cheap, so he decided to take the risk and give it a try.

After getting home, Jesse nudged the front door open with his shoulder – a daily necessity – and made his way into the cluttered house he shared with his father. Jesse’s mom was no longer in the picture, and a true bachelor pad their household had become. If the pizza boxes sitting on the couch were only a week old, then they considered the place to be squeaky-clean.

He threw his backpack on the floor and ran up to his room with his newest acquisition. He slid the record out of the folder and held it up under the light. The entire record was black, and there was no label. He plopped the record on the spindle of his record player, dropped the needle in place, and impatiently waited. It began playing so he lay down on his bed, listening to the music slowly pouring through his crackling speakers.

Not bad, Jesse thought to himself as the first song ended and the next began. And it wasn’t. It didn’t bring the house down, but it wasn’t entirely incompetent like some of the other stuff he’d brought home before. And each song sounded pretty different from the one previous.

It was good. Not great.

Jesse had the feeling he had bought yet another record that would end up in his trade-in box—a hazard of being a collector. He sat up in bed to retrieve the record from the player when the last track began—the one called ‘Endings.’

Jesse had never heard anything like it, and he sat very still, as if moving even an inch would interrupt this strange feeling that had come over him. Then, very slowly, as the song continued to play, Jesse stood up, went over to his desk, and opened the drawer. He rifled through the drawer until he found what he was looking for. He leaned his head back and drew the scissors’ blade over the taut flesh of his throat. Blood dribbled immediately down the front of his shirt, and the flesh of his neck tore open with ease, widening quickly in a muddy, red smile. Jesse even made it as far as slicing another gash through his throat before he fell back onto the floor, blood gushing out of his wounds with such intensity that it splattered the ceiling above. As Jesse lost consciousness, and as the final song faded to a close, his own blood dripped down on him from the ceiling, splotching him and the floor around him with crimson dots.

* * *

Shelly excitedly tore the wrapping paper from her newest gift as her grandparents looked on. Her gift had an odd shape: big and square, but very thin, like a giant cracker. She had no idea what it could have been. She ripped off the last of the paper and held her gift in her hand. And she still had no idea what it was.

Her grandfather chuckled. “Now that you’ve seen the gift, it’s time for a history lesson,” he said.

“Oh, no. No stories, grandpa,” Shelly said, pouting.

“We didn’t have CDs in my day—back when horses pulled carts and we communicated by tapping rocks together,” he said, his eyes twinkling. “We listened to these—they’re called records.”

“Well, how do I listen to it?” Shelly asked. She took the record out of the folder and held it up. “It looks like a tire,” she said.

“They’re not all that different from the CDs you listen to these days,” said Shelly’s grandmother. “They were just bigger, that’s all.”

“You’ll need what’s called a turntable to play it, honey,” Shelly’s grandfather said.

“So I gotta spend money to use one of my own birthday gifts?” Shelly asked. “That’s stupid!”

“Who said you had to spend money?” her grandfather said, bending down and lifting a turntable – decorated with a single colorful bow – onto the table.

Shelly looked at it, utterly confused. “How does it work?”

Her grandfather chuckled and took the album from her, laying it carefully down on the player and placing the needle at the record’s very edge. The music began to play out of the modestly sized speakers that were hooked into the back of the player.

“See that?” he asked. “Neat, huh?”

“I guess...” she said, her disappointment in the gift more than obvious.

“Well, it won’t hurt you to experience a little culture,” he said, upset by his granddaughter’s attitude. He slid out his chair with a screech and stood up to make his way into the kitchen. “I’m getting some more coffee.”

“Did I make him mad?” Shelly asked her grandmother, frowning.

“No, of course not, honey,” her grandmother lied. “He just gets frustrated sometimes because things are so different now than they used to be.”

Shelly lowered her chin to the tabletop so her eyes were level with the needle’s point. The second song had ended and the third was just beginning.

“What band is this?” Shelly asked.

“We don’t know, actually,” her grandmother answered. We found the player in a pawn shop and this was the only record the man had.”

“Why did you buy it if you didn’t know who the band was?” Shelly asked, confused.

“Well, your real gift was the player, sweetie. Not the record. We both saw it one day and thought you would really get a ki—” The words droned to a halt in the old woman’s mouth and she began staring off in the distance, as if immediately stuck in a trance.

“Grandma?” Shelly asked.

Shelly’s grandmother turned her head and stared at her granddaughter for a moment before picking up the empty cake dish in front of her and smashing it into several sharp pieces, one of which she then drove into the young girl’s right eye. Shelly shrieked in pain, but her cries were cut short by another slash with the shard, this time across her temple. The gash left behind was deep. The C-shaped flap of skin hung down over her ear, revealing a patch of her light-brown-colored skull, which was barely visible through the thin membrane surrounding it. Her blood flowed like a river, and soon she became limp in her grandmother’s arms. Shelley’s grandmother dropped her small body fall to the ground with a hard, sickening thud before walking into the kitchen. Her husband was in the process of rushing out to see what had happened when he stopped in his tracks, seeing the blood on his wife’s white sweater and the blank look on her face.

“What is it?” he demanded. “Is Shelly hurt?”

She didn’t respond, but instead pushed him roughly back against the kitchen pantry door and grabbed the large cake knife from the empty platter on the kitchen table, which she stabbed with great force into his throat. The blade easily plunged through the man’s skin, muscles, and bone before splintering the wooden cabinet behind him. She let go of the knife, which easily supported the weight of her husband, and held his face in her hands. A single tear fell from his left eye as his last breath left his body. She left the kitchen and walked into the bathroom where she turned on the bathtub faucet at full blast. She lowered herself into the tub until she was flat on her back. She then waited patiently for the water in the tub to rise—to invade her body and take her away.

And in the dining room where the family had convened to share the joy of Shelly’s tenth birthday, the last track on the album ended, and the needle fell into the last groove – the gutter – emitting nothing but static...letting any listeners know that there was nothing more to come.

* * *

Kirby walked in, wearing his tacky, punk-rock jacket, smiled a suspicious smile, and tossed the record at Sarah.

“Oomph,” she said, catching the record without trying to spill the coffee that was on the desk next to her computer. “Thanks for that,” she said finally.

Kirby smiled again and sat down next to her, kissing her once on the cheek. “Got you a present.”

Sarah held up the album and looked at it questioningly.

“Song list is on the back,” he told her.

Sarah flipped over the album and read off some of the titles. “What band?” she asked.

“No idea,” Kirby said, shrugging.

“Where’d you get it?” Sarah asked, taking the record out of the folder. She turned it around in her hands to search for a label and found none.

“You wouldn’t believe me if I told you,” he said, grinning devilishly.

“I’ll believe anything you tell me because you’re crazy enough to do anything,” Sarah replied.

“My brother came across it at work and gave it to me...” Kirby said, coyly looking down at the desk, along which he absent-mindedly dragged his finger.

“No way, really?” Sarah asked, looking at the album again, as if its lineage would now be more obvious. “Won’t he get in trouble for that?”

“Nah, are you kidding? That’s been sitting in the evidence room for years and years. No one’s going to notice it’s missing.” He grinned again. “So...are you going to play it?”

“I can’t play it if I don’t even know who recorded the thing,” Sarah said, pretending to dismiss the record altogether.

Kirby flashed Sarah the smile that made her fall in love in the first place.

“I’ll think about it,” Sarah said, smiling scornfully.

Kirby laughed. He bent over her desk for a quick kiss. “I’ll see you tonight.”

Sarah watched Kirby walk out the door before turning her attention back to her computer screen. After another hour’s worth of typing, she printed her work and then walked out of her office with the mystery album tucked under her arm. She nodded hello to the radio DJ as he made his way out of the studio after having finished his set. She slipped through the door, took her seat, and lifted the headphones onto her face after the commercial break was through. She slid Kirby’s record into one of the station’s many players and prepped it for broadcast.

“I have a special gift for you, boys and girls,” Sarah said into the college station’s bright red microphone. “A mysterious record hit my desk tonight. I know nothing about it—not even the band that recorded it. Three songs total...and here they come.” She dropped the needle slowly in place to play the album. As the record began spinning, she leaned into the microphone one more time.

“Let’s hope this brings the house down.”



Aug 20, 2013

THE ZAPATA LETTERS

The Zapata Letters are a series of short, handwritten correspondence from an unknown “benefactor” to one Richard Zapata, a relatively unknown photographer living in Greenwich Village, New York. Zapata’s photographs were never particularly famous, or even popular among the “indie” crowd, with one clear exception. A great deal of photography is, unsurprisingly, luck; one must be in the right place at the right time. Zapata had one photo that was published in a small subsection of the New York Times, and it was this photo that served as the catalyst from his unknown “benefactor.”The photograph was total happenstance. Zapata had been out late one night, walking home from a party, and he was slightly inebriated. It was around 5 am, and light, but before sunrise, and Zapata happened to catch an unremarkable street corner just as the streetlights went out and just before the sun rose, creating a play with the fog and lighting just pretty enough to earn filler space.

Within one week of its publication, Zapata received the first letter, and every letter afterward was received exactly one week in succession, without fail.
The First Letter (Dated July 31st, 2001)

“Dear Mr. Zapata,

There is captured magic in your photograph. Stolen Beauty.

Benefactor.“
No return address was given, and the letter, as were all of the following letters, was signed simply as “Benefactor.”
The Second Letter (Dated August 7th, 2001)

“Dear Mr. Zapata,

Perhaps you do not understand. Beauty is not a renewable resource.

Benefactor.”

The Third Letter (Dated August 14th, 2001)

“Dear Mr. Zapata,

You continue to take photographs. Not that it matters; what you have stolen from me can never be returned. Benefactor.”

The Fourth Letter (Dated August 21st, 2001)

“Dear Mr. Zapata,

There is no more beauty. Not for me.

Benefactor.”
The Fifth Letter (Dated August 28th, 2001)

“Dear Mr. Zapata,

I must take something from you, then.

Benefactor.”
Five weeks from the initial correspondence, and therefore, five weeks later, Zapata presented the letters to the New York City Police Department for assistance, believing the Fifth Letter to be a threat. While the police did not take Mr. Zapata’s concerns too seriously, the postage stamps were traced to a Greenwich Village Post Office, which services over 10,000 people. The chances of tracing them were absurd, and after two days of police surveillance, Mr. Zapata was left on his own.
The Sixth Letter (Dated September 4th, 2001)

“Dear Mr. Zapata,

I am made Death, Destroyer of Worlds.

Benefactor.”
Exactly one week later, two airplanes crashed into the World Trade Center in New York City, killing thousands and ultimately engaging the United States into series of seemingly-endless conflicts in the Middle East. Records indicate 3 people named Zapata were killed in the terrorist attacks, though it is unclear whether any of them were directly related to Richard Zapata. Though he did not receive the letter until the next day, it was dated the same as the attacks.
The Seventh Letter (Dated September 11th, 2001)

“Dear Mr. Zapata,

Do not doubt that this was my handiwork, but that your hands bear blood.

Benefactor.”
It is unclear why, at this moment in time, that Mr. Zapata did not bring the Seventh Letter to the Police, as it certainly would have been taken much more seriously, and a full-scale investigation may have been launched. Perhaps the contents of the letter, and its implications, were too heavy to share.
The Eighth Letter (Dated September 18th, 2001)

“Dear Mr. Zapata,

There is nothing left for you to steal.

Benefactor.”
ATM receipts and records indicate that, in the week following the Eighth Letter, Mr. Zapata purchased 4 cameras, 36 rolls of film, and an excessive amount of developing equipment, all from different locations.
The Ninth Letter (Dated September 25, 2001)

“Dear Mr. Zapata,

I have no more pretty words or empty threats for you. You stole a piece of private beauty that can never be returned, and for that I have responded by stealing all of the beauty from your world. I have left you a world of war, bereft of foggy street corners and slow sunrises. The future to come is bleak at best, hell at worst, and it will have no semblance of a soul. This I have done because of your theft, and yet you continue to steal. Steal things of no value.

Benefactor.”
Investigators of the incidents surrounding the Zapata Letters have lingered heavily on the Ninth Letter, mainly because of its length. In it, we see a personal side of Mr. Zapata’s “Benefactor,” and the previous accusations lose their sense of ideological anger for an almost selfish, petty tone. While the accepted standpoint is that Zapata wrote the letters to himself, those few that disagree cite the Ninth Letter’s description of the future. When Zapata’s apartment was finally investigated, 2 weeks after the date of the Ninth Letter, thousands of developed photographs were found all over the small studio, photographs of everything from pencils to skyrises, ranging from out of focus to breathtakingly beautiful. That tireless production does not reflect the psyche of one who sees no future.
The Tenth Letter (Dated October 2nd, 2001)

“Dear Mr. Zapata,

No more.

Benefactor.”
When Richard Zapata’s apartment was investigated one week later (at the behest of a neighbor’s phone call to the police), the Tenth Letter was found just beneath the mail slot of the apartment, unopened and unread. The walls were lined with thousands of photographs, recently developed. Zapata was found later, in a makeshift darkroom at the back of the apartment.

He had, presumably, clawed out his own eyes and drank copious amounts of acetic acid (used to develop photographs,) resulting in his death. The most common conclusion is that Zapata believed he had achieved some perfection in that first photograph of a street corner, and that, unable to match it, he had vented his frustration in a series of bizarre letters and, finally, a horrendous suicide. The conclusion is all well and good, except that one detail seems to challenge it. There were no traces of blood or flesh under Zapata’s fingernails, and no scratch marks around the eye sockets; it was as if they were removed, with surgical precision, from a position above the photographer. Of course, this is just as unlikely, as all three locks on the door into the apartment were locked, from the inside.

Story source.

Aug 4, 2013

ONLY THE PILLS

The following are the final excerpts from the journal of Dr. Arnold Richards, who, at sixty-seven years old and in perfect health, was found dead in his bedroom, lying in a pool of his own blood, a single sleeping pill in his hand. The incidents surrounding the events reported in his diary were investigated thoroughly, but the case was never solved.
April 1, 1996
She was a frail old woman, gaunt and thin, with sparse, feathery, white hair and baggy, sunken eyes. The faded, loose shirts and pants she wore made her seem even more skeletal than she probably was. I never heard her speak, and every time she came in Dr. Yates would quietly usher her into a check-up room without saying a word to her or anyone else. While this was strange, it didn’t affect my work directly and so I did my best to ignore it.

May 13, 1996
On this bright Wednesday I arrived at the hospital to the news that Dr. Yates had died peacefully in his sleep the night before. I was surprised. The man and I had never gotten particularly close, but we were friendly, and while old, he seemed to have been in perfect health. I was informed that his heart had simply failed in his sleep and he had died quietly and gracefully. I, along with the other clinicians and a few town members attended his funeral that Saturday.

May 19, 1996
Today one of our secretaries told me that a new regular was to be added to my patient list, a woman who went solely by the name of Sybil. The next day, at 12:00 noon Sybil shuffled her way through the door, and I went up to introduce myself. I said hello and offered my condolences for Dr. Yates’ death as obviously the two had become somewhat close. Sybil only looked at me with a hollow, empty gaze, and turned mechanically towards the hallway that lead to her check-up room. As we entered the room she sat down softly in a chair and watched me, unblinking. I smiled awkwardly at her and opened up a folder containing her charts and medical records. Sybil was an impressive 96 years old, and seemed to have been in perfect health all her life, considering her name and age were the only things written on the record. She had no listed place of residence, exact date of birth, references or birth certificate. The only thing on her official record was a case of chronic insomnia, which explained her tired appearance. Groping inside the folder for any extra information, my hand touched a small notecard. In hastily scrawled capital letters, all it read was “ONLY THE PILLS.”

Reaching into the folder again, I pulled out a small plastic bag with a few powder capsules, which I quickly recognized as soporific drugs; sleeping pills. I glanced at Sybil whose gaze had not left me. I felt uneasy. Something didn’t seem quite right about the mysterious situation, but trusting the late Dr. Yates’ judgment I smiled and joked, “well, at least you make my job easy,” offering the baggie to Sybil. The woman retained the exact expression she’d kept for the past fifteen minutes, and, with a swiftness unexpected at her age, snatched the pills from my fingers with a silent yet stern, “thank you, Dr. Richards.”

I walked her to the door and watched her leave. As I returned home I felt strangely exhausted, and went to bed early. Falling asleep I remembered something that struck me uneasily. I had never told my name to Sybil. Dr. Yates must have mentioned me in passing at some point to her. I brushed the thought aside and nodded off.

May 28, 1996
At noon sharp Sybil walked through the clinic doors once more. I greeted her and walked her to her familiar room, where she sat once again in the chair and stared at me. Remembering my uneasy thoughts from last week, out of curiosity I mentioned how I’d never introduced myself and asked her how she’d known my name. Without turning her gaze she simply lifted her wrist and pointed towards the desk in the room as a response. I followed her finger to the folder I’d left there from last week, with the notecard laying on top. Only the pills. I turned to Sybil and told her childishly that I had no pills. I didn’t know her dosage, nothing was written on her chart. She only continued to point at the folder. A foolish thought struck me. I picked up the folder and, with a furrowed brow reached inside. I pulled out her papers, and as they emerged they brought a baggie of pills identical to the first along with them. I was positive there had only been one bag of pills in the folder the week before, and the folder had been left in the exact same place; no one had touched it. I stared at Sybil cautiously and she stared back as always, extending her hand. I gave her the pills, and she responded, “thank you, Dr. Richards,” in the exact same fashion as the previous week.

Suspicious, I took the folder home to make sure no one was doing any tampering. Tonight I felt not only exhausted, but very weak. I had no motivation to do anything. All I wanted to do, all I felt like I could do was sleep. I’m to bed at 6 PM.

June 4, 1996
Before I went to the clinic today, I checked the folder. All it had inside was the notecard, which I left on my nightstand, and Sybil’s papers. No pills. Sybil’s visit went exactly as usual, and as we entered the check-up room I told her that I was concerned she was abusing the medication and told her to try a week without the pills. She only stared at me and pointed again to the folder I had been holding in my hand the whole time. I peered inside and, like a sickly apparition, the bag of yellow pills was resting neatly on the bottom, atop a square piece of white paper. I angrily removed the pills and read, horrified, the notecard they revealed. Only the pills. I turned to Sybil and thrust the bag toward her, yelling, “fine! Take your damn pills.” She only returned her usual “thank you, Dr. Richards,” and left me standing in the room, frightened and angry.

Tonight I got violently ill. After an hour of intense vomiting I crawled into bed, nearly unable to move. As I reached to turn out the light on my nightstand my eyes strayed to a square, white piece of paper. I didn’t have to read it to know what it said. I was confused and terrified. Mustering all my strength I tore the paper into pieces and flushed them down the toilet. Exhausted, I fell into a deep sleep.

June 11, 1996
My sickness left me unable to work for exactly a week. This morning I woke up with the realization that I had only felt strangely on the days after I’d taken care of Sybil. I was frightened to return to work. Perhaps if I was late, she would get tired of waiting and leave. I waited until two o’clock, and nervously went to the clinic. My hand paused on the doorknob, and as I slowly entered, I breathed a sigh of relief. Sybil was not in the waiting room. When I asked, the secretary told me that Sybil had not arrived. This day, I decided, I would find out who the woman really was. I walked to the check-up room to retrieve her papers, and opened the door to find Sybil staring directly at me, as if she had been waiting. I was frozen. No longer did the woman’s gaze seem empty and passive. Now it was devilish, laughing, taunting me, daring me. I didn’t want to look at her, and tried to ignore her, but her presence permeated the white room. I felt her gaze like a hand perpetually on my shoulder. Walking towards the desk, I picked up the folder and noticed there was a wet spot in the lower right corner. I opened it up to find the pills and the notecard once again. The pills were the same sick yellow, in the same suffocating bag. The notecard was torn into pieces and soaking. It had dampened the corner of the envelope and the papers inside. I screamed at Sybil. “Who the hell are you? What do you want with me?” She pointed only at the folder. “**** you.” I responded. “**** your pills!” I threw the envelope on the floor, feeling the capsules crush beneath my shoes. “Looks like you’ll be awake for a while now,” I said spitefully. Sybil stared with her hollow eyes for what seemed like years. Finally she spoke, with a voice that was not of a 96 year old lady. “Goodbye, Dr. Richards.” She got up, and left.

I was fuming, and terrified. Why had she told me “goodbye?” What’s more, how did Dr. Yates put up with this woman for two years, when I had been pushed to the edge in under a month? Suddenly I remembered. Dr. Yates was dead. He had died in his sleep. I raced into the secretary’s office and demanded Dr. Yates’ medical records. The secretary looked startled and handed them to me, and I promptly drove as fast as I could home. I dumped the contents of Yates’ folder onto my kitchen table and, rifling hastily through the papers I found another, smaller envelope labeled with the words CORONER’S REPORT. Inside the envelope my horror was embodied. Pictures of Yates on his deathbead revealed a terrifying truth. Dr. Yates had not died peacefully. His body was contorted from seizing, his face twisted into an expression of horror and pain, blood leaking from his mouth and nostrils. I had to cover my mouth and hold back cries. His expressions were horrific, eyes rolled back, joints turned backwards. In all my years practicing, I had never seen someone frozen in such pain. On his certificate, the coroner had listed his cause of death as undetermined. That failed to satisfy me. I needed to know. I examined the pictures long into the night, and in one photograph of his mangled face I noticed a square, white corner poking out from underneath his pillow.

June 12, 1996
Mustering up all my courage, I grabbed a flashlight, got in my car and drove to Dr. Yates’ house. It was about four miles away and isolated. I knew it would be empty. The night was strangely cold and damp. I walked up to the front door and, turning the knob with shaking hands, opened it and stepped inside. Only moonlight filtered in through the windows. Light switches failed, the power had already been cut off. Assuming I knew where his bedroom was, I stumbled up the staircase to the second floor. Adrenaline pumping in my veins, I reached toward the first doorknob my flashlight reflected off of. Hesitating only for a second, and before I could change my mind, I twisted and pulled. It was a small bathroom, and smelled sickly of vomit. The mirror/drug cabinet above the sink was flung hastily open, revealing a mess of capsules spilling off the shelves. The same capsules I had been giving to Sybil for the past three weeks. The cause of my terror. I slammed the door closed and looked around the landing with my flashlight. There was only one other door at the end of the hallway. I could hear the blood flowing past my ears as I walked toward what I knew was the bedroom. Again, my hand stood still over the doorknob for only a second before I hastily turned it and swung the door open. The bedroom frighteningly resembled my own, with a queen sized bed and two nightstands on either side. The pale moonlight desaturated the colors of the room into stark black and white; I could clearly see the bloodstains from Yates body, vivid on the pale sheets of his mattress. Remembering the picture, I gathered myself and walked towards the pillow, which was a bloody mess. Sure enough, the white corner was jutting out, daring me to grab it. I lifted the pillow to reveal a familiar looking folder. I shined my flashlight to reveal one word scribbled on the front. Sybil.

Suddenly, I heard a creak and a door open, the sound of a hundred pills falling to the floor. The noise shocked me out of my reverie and I snatched the folder, ran out of the house, and got into my car as fast as I possibly could. There was much more inside this folder than I had in my measly papers at the clinic. I scoured Sybil’s records. She had hundreds of different charts from hundreds of different doctors, and each said the same thing. Sybil was a victim of hyperinsomnia. She never slept. I rifled through the records as quickly as I could. Hyperinsomnia. Sleeping pills. Hyperinsomnia. Sleeping pills. The oldest chart was from 1912. Diagnosis: hyperinsomnia. Prescription, sleeping pills. I set the paper down, my forehead dripping in cold sweat. If Sybil’s charts were correct, the woman had been awake for 84 years.

Suddenly I was emboldened. The woman no longer frightened me. I had figured her out. I would confront her. I would maybe even try to help her. If she never slept, I could even go to her house now. It was one thirty in the morning. Finding Sybil’s address in her records, I wrote it down on a slip of paper and got into my car a third time. I drove for about two miles, and then realized things were starting to seem familiar. As I turned onto her street my confidence shattered like a bone. I realized in utter horror where the address I had written down had brought me. Bringing my car to a slow halt, I stepped out and made the now terrifyingly familiar walk up to the clinic doors. In a last ditch effort to resolve the mind I was sure I was slowly losing, I checked the paper I had written the address down on once more. Three words showed themselves to me. Only the pills.

I can’t bring myself to reveal what happened when I entered the clinic that night. All I can tell you is that it is the last time I will leave its doors. It is the last time I will see Sybil, and that I am about to go to sleep for what will be the last time in my life. I hold a small yellow capsule in my hand that could save me. But I can’t. I refuse end up like her. I would rather die than stay awake.


Story source.

Image source.