Nov 28, 2013

HAPPY THANKSGIVING: SHITTY FLICKS: BLOOD FREAK

Shitty Flicks is an ongoing column that celebrates the most hilariously incompetent, amusingly pedestrian, and mind-bogglingly stupid movies ever made by people with a bit of money, some prior porn-directing experience, and no clue whatsoever. It is here you will find unrestrained joy in movies meant to terrify and thrill, but instead poke at your funny bone with their weird, mutant, camp-girl penis. 

WARNING: I tend to give away major plot points and twist endings in my reviews because, whatever. Shut up.


If you've ever wanted to see a film in which a man does drugs, eats diseased meat, and turns into a chicken, then, sorry, you're barking up the wrong tree here. Blood Freak is actually about a man who does drugs, eats diseased meat, and turns into a turkey. 

Sure, sure, some of you may argue "tomato tomato" (if you pronounce that second tomato differently), but there is a huge distinction. I mean, would the camera still shake a lot, and unintentionally? Would the acting still be so hideous as to be non-existent? Would the audio still drop out whenever it damn well pleases?

To all of the above, yes.

Then what's the distinction?

All that fucking gobbling, I'd say.

As for the film...

In the world of Blood Freak, drugs are bad, but pot is a-okay. 

"Please don't do any other drugs while you're here," some broad says to some dude at a party before he even takes off his jacket. SHE looks like Peggy Bundy, and HE looks like Elvis. Apart, they're just two people, but together, they are two people really really frightened of the hard stuff. And HE rocks an awesome pompadour. 

She (Angel) leaves and he (Herschell) is left alone with the siren of the party. She compliments him and calls him handsome. "Don't you have a boyfriend?" he retorts. Then he calls her a tramp, because this film is, like, super moral.

Later, Herschell hangs around outside with a bunch of girls who speak like they've just woken up from a coma-dream in which they were sorting periodicals. It's a wild scene, man. They also talk about the Bible a lot.

In fact, I think this whole movie is about the Bible. This movie called Blood Freak.

Pretty far out!

From time to time, The Most Interesting Man In The World, your narrator, shows up to wax philosophic about the events which have transpired so far. Or, you know, whatever he feels like. He has a magical power, which is to look like every father everyone has ever had. He also hearts leisure suits.

"Welcome to my Rec Room of Philosophy."

But then he vanishes into a wisp of haughty air and it's back to the movie. Try to guess what our characters are saying to each other - losers get to keep watching! (Winners go home and fuck the prom queen!)

Herschell mumbles his way into a job at Angel's father's poultry farm, but for the time being the pool is calling him! While there he is mercilessly hit on by Ann, who keeps a Band-Aid tin filled with drugs on her person.

Look out, Herschell! You're at a crossroads! 

"I can do without it, thank you," he says about her pot.

"How could such a big hunk of man be such a damned coward?" she inquires.

Peer pressure has never been so textbook. He accepts the marijuana and filters it through his circulatory system. They pass the joint back and forth several times without saying a fucking thing. And THAT'S when the laughter begins.

HA HA HA HA!

OH, HE HE HA HA!

HA HA HA!

(SNORT)

HAAAAAAAA--

Then sex happens. It's about as hot as you might expect, considering this was 1972 and Herschell looks like Johnny Cash face-pummeled by oil-covered hammers. But mm, boy, do we get to watch it...minute by minute.

"And then he's all like, 'I've got BINDERS full of women! '"

After their tryst, Herschell is back to his own curmudgeonly self. He hops on his motorcycle and metals on over to the poultry farm. All the cocks are gobbling and he likes to get right up in there, finger them, and gobble back. 

Inside, Herschell meets two scientists doing turkey experiments. One of them, a large and in charge fellow named Dr., I dunno, Huge, is clearly in love with Herschell from the start. They explain that Herschell is to do some odd jobs around the farm, and even make a little more money by eating experimental turkeys to "see if there are any side effects," which is something no one would ever ever agree to.

"Okay, it's a deal," says Herschell.

Shit-kicker music soon starts and Herschell finds himself right at home feeding the turkeys and randomly throwing them around. Soon after he's tuckered out and appears violently ill. Ann grows concerned and calls Guy, who is this huge drug guy who likes drugs and has drugs a lot. He brings drugs right over and Herschell goes nutty for them. He smokes and smokes and soon his sweats and shivers go away. But he grabs Guy and threatens to "break every bone in his miserable body" if he doesn't keep him supplied with drugs, since Guy's the one who got him hooked in the first place (even though it was actually Ann).

Ohhhh, I get it. Angel and Ann! Angel didn't want Herschell to do drugs, but Ann did! Ann as in Sat-an!

How subtle!

Later, Herschell eats experimental turkey meat RIGHT in front of the living turkeys because he is a fucking sadist.

Then the following happens:

Herschell falls into a bush.

Herschell has a seizure. 

Herschell temporarily stops having a seizure. 

The scientists discover Herschell suffering from the turkeyhigh and they "dump him" somewhere. Afterwards, they all have a meeting about what they're going to do. Watch as everyone flubs their lines but forges ahead, anyway.

Their plan is: do nothing. 

Time passes, night falls, and Herschell is still having that seizure. It just may be the longest in history. It also kinda looks like air guitar. 

Later that night, I guess, Herschell goes to Ann's house to knock shit off her tables. Then it's revealed that Herschell has a goddamn fucking huge turkey head now. Ann, not the least put-off by his new bird head, immediately begins describing the future they could no longer have, since Herschell is now Turkish. The longest one-sided conversation in history then occurs until it's implied that Herschell and Ann make turkey whoopy, and he gobbles as they touch beaks.

--"I know I asked for some Wild Turkey, but this is ridiculous!"
--"Shut the fuck up, Barry."

Ann calls an emergency meeting with the Allman Brothers to show them Herschell's new look. Herschell enters the scene, shocking music plays, and then I'm...not quite sure what happens, because it cuts immediately to him walking around outside in his big stupid turkey head.

Herschell ends up at some chick's house, so he grabs her from the car and carries her away as she frantically kicks her feet in fear...without making a fucking sound. It's...the most awkward thing I've ever seen. 

Back at the Herschell Intervention where Herschell isn't, Ann and the Allman brothers talk shit out. They bemoan the fact that it was Guy's drugs which made Herschell an addict and that basically this was all Guy's fault.

"The only thing Guy was ever good for was always having drugs," Duane Allman says, apparently completely missing the point of the conversation he's a part of.

"Smoke pot?"
"Well, all right."

"It's not just Herschell's physical appearance that worries me," explains Greg Allman. "It's his head."

"Maybe later, man, I've gotta run to the sto--"
 

Meanwhile, with Herschell, he hangs up the broad he kidnapped to stick her, bleed her out, and drink her drug-addled blood, which he is now addicted to. Another broad happens upon this and hilariously screams the exact same scream, over and over. Apparently the editor only had one scream on file, and so he used it nine fucking times in a row. 

He then discovers a couple in a car doing some unsubtle heroin. The dude giving the chick the injection never even pushes the plunger, but she gets hiiiiiiiiiigh anyway. She immediately becomes Herschell's next victim and we're treated to that same scream again two more times. And since this chick is wearing an American flag pattern blouse, now covered in blood, all I can think is, "Yeah, maaan. America is like...a dead drug addict being sucked off by a mutant turk-man...maaaaaan."

An old guy stumbles upon this scene of a dead American girl, strung upside down and covered in her own blood, and is clearly, openly, obviously smiling. He is soon killed by the giant turkey that is Herschell. 

THEN some overweight dude that must have loved that old man hardcore stumbles across his dead body, flips his shit, and then attacks Herschell, only after repeating some of his own screams. I guess Herschell survives this fight, because after a cut, we see him wandering around a field looking disoriented. 

Meanwhile, Guy must be super terrified of Herschell's threat of bodily harm, because he's meeting his dealer to score some drugs. Once Guy and his dealer meet to make the trade, Guy comes up short because he's a dead beat, so he tells the dealer her can just have Ann, since she's there. The dealer agrees and goes immediately for the tits, to which Ann objects. The dealer runs away in fear and runs afoul of a giant turkey named Herschell, much like we all will when our time is up. The dealer ends up on a table saw and Hershell cuts off one of his feet. As Herschell sits below the stump to be douched with the dealer's blood, and as the dealer screams the same scream over and over, I have to confess that this is probably the most amazing thing I've ever seen in film.

This guy loves the cock.

The film pre-ends with Herschell getting his head cut off by the Allman Brothers, which is substituted with an actual shot of a turkey being beheaded. Because, ya know, we needed that.

And then the film actually ends with the revelation that it was all a dream! And Herschell learns a valuable lesson: It was wrong of him to take recreational drugs in addition to the prescriptions he was receiving at the military hospital after his experiences in Vietnam. They must play Blood Freak at every Congressional hearing as a reminder of what could happen if marijuana were ever legalized nationwide. Better just limit our drugs to prescription only, which, as we all know, has never killed anyone.

At film's honest-to-gosh end, Angel tells Herschell to pray to God and ask Him to increase his faith. And he does. But does God answer?

Probably not, since there's no such thing. 

P.S. At the tail end of the Most Interesting Man In The World's final monologue, you can clearly hear the director call "cut."

That's a good idea!

Nov 26, 2013

PAIN IN THE NECK

Patient who arrived at the hospital with symptoms of pneumonia is given an x-ray, only to discover his neck is full of needles. The patient is a heroin addict who would shoot up into his neck and then pass out or fall asleep, and the needles would break off into his neck.



Nov 25, 2013

CAMPAIGN: SCHOOL OF 1980

The guys who made this...


...are trying to get this off the ground:

In a lawless 1980, in a defeated school, one teacher takes a stand against a vicious, and surprisingly old, gang.

A few years ago...

A time of chaos. America's schools have become battlegrounds.

George Washington High School is a powder keg waiting to explode. The teachers are demoralised by juvenile, crazed gangs protected by liberal lawyers and social workers. It seems no one is strong enough to fight back and give the kids a chance.

Except one teacher. Eve Lamb, battered and almost broken by her last school, is back to bring civilisation to the urban jungle. Eve is back to teach Home Ec. and give those kids a Tomorrow.

All goes fine until Eve crosses top gang THE PUNK ROCKERS and its leader, the apparently 17 year old genius Hans Koontman. Koontman is the dark mirror image of Eve, realising beneath her civilised facade is a born killer. The stage is set for a final confrontation between human dignity and animal savagery.

Only a violent showdown answers the question: who will survive?
School of 1980 is inspired by the harsh urban 80s movies Class of 1984, Mad Max, Assault on Precinct 13 and The Warriors!!   

Why make School of 1980?  

We want to make a film you cannot look away from. A film that grabs you by the throat and makes you watch. The funniest, craziest, fastest ten minutes you've ever seen.  That's all.

All I can say is...I'm in. So hard.

Makelight Productions is launching an Indiegogo Campaign to help fund this project, and they are offering some really fun/cool stuff to those who decide to donate.

You can check out those details here.

To those at Makelight, I wish you great luck with this. I look forward to the final product.

RUN AGAIN!


Nov 24, 2013

FREE MUSIC: OBSIDIAN KINGDOM

Received the below from Obsidian Kingdom. Unfortunately I'm not familiar with them, so I don't know how much of their pure sound is reflected in this remix album. As such, I can't really offer up much of a critique beyond "it's different, but I like it." Give them a whirl if you're feeling curious. If you enjoyed the Sinister soundtrack, these fellows might be up your alley. Plus, free!

We are Obsidian Kingdom, an independent act from Barcelona.

We are currently promoting our latest release, TORN & BURNT - The Mantiis Remixes, which features astounding reworks of seven tracks from MANTIIS, signed by artists as renowned as Oktopus (Dälek), Subheim, Poordream, Necro Deathmort, Jr Morgue, Drumcorps, Larvae and Mothboy.

You are kindly invited to download the digital album from our Bandcamp profile for free; you can also stream it on Spotify, iTunes, Soundcloud and every other major online music distributor. 
A limited digipack edition is also available at our online store. The artwork has been curated by Belgian artist and taxidermist Raf Veulemans and Majorcan designer Tomeu Mulet.

Band Name: Obsidian Kingdom
Album Name: TORN & BURNT – The Mantiis Remixes
Year: 2013
Genre: Electronic / Ambient / Experimental
Country: Spain
Tracklist:
01. And Then It Was (Oktopus remix)
02. Last Of The Light (Subheim vs Poordream remix)
03. Awake Until Dawn (Necro Deathmort remix)
04. Fingers In Anguish (Jr Morgue remix)
05. Haunts Of The Underworld (Drumcorps remix)
06. The Nurse (Larvae remix)
07. Answers Revealing (Mothboy remix)

Download