NIGHT VISITOR

UNNECESSARY SURGERY

In late 1951, the hills on the outskirts of the small German town were surveyed for the future construction of a NATO military site. The military base was to consist of a series of deep underground bunkers and weapons supplies in case a Soviet invasion occurred. In February of 1952, construction began. Just four weeks later, the crew began digging a massive two-hundred foot deep hole for the future underground storage bunkers. It was during this time that the crew made a morbid discovery. As they neared the end of the digging operation, a human hand was seen sticking out of the bottom of the hole. Upon future examination, twenty-seven bodies were discovered at the bottom of the two-hundred foot deep hole, dressed in Prisoner of War uniforms worn by the allies in Nazi war camps.

A  NATO officer ordered for the bodies to be exhumed immediately. As the medical team slowly carried out the bodies, they looked on in puzzlement. The bodies were remarkably well-preserved. Furthermore, the POW uniforms bore a strange insignia which was unlike any the men had seen before; an orange circle with a single black dash in the middle. However, the most unsettling characteristic were the faces of the men who were exhumed. Their eyes were wide open, and their mouths were sealed shut with an unknown adhesive. The bodies were then dispatched to the local morgue for immediate identification and autopsies.

That night, the local mortician began his work. However, he found it difficult to concentrate on his task. The eyes of the first man he was to begin work on seemed to be staring back at the mortician from the autopsy table. He shook his head and just rationalized the sight as the imagining of his over-active mind. The mortician took his scalpel and began his first cut into the body’s chest. Blood poured out of the incision with staggering force. The mortician backed away from the table in shock. The red liquid began running down the table, pooling on the floor below. The eyes of the body began watering, and streaks of tears ran down its face. Soon, the eyes rolled back into the body’s head, and the bleeding ceased. In horror, the mortician began to make his way to the door on the verge of nausea, but not before catching a glance at the twenty-six other bodies lying out on separate tables. Their eyes looked back at the doctor’s with tangible fear. 

The men were still alive.

EDIBLE BABY HEADS

'Nuff said.

REVIEW: THE FORBIDDEN GIRL

I was just saying to my mother the other day, "You know what I could go for? One of those sexy, witchy, witch-sex movies."

Then I came home, looked in my mailbox, and grinned. Inception Media had heard my utterances on the late-summer wind and sent me a copy of The Forbidden Girl to review.

My pants were never the same.

A late-night rendezvous between Toby, the son of an apparent religious fanatic, and his girlfriend, Katie, goes pretty sour after she shows him the locket that she's wearing around her neck, which attracts some kind of black-smoke demon that comes and takes her away. See, it was really important to Toby's priest pops that Toby remain all chaste and stuff, so obviously sneaking off to see Katie, Kewpie-doll-voice seductress that she is, was a horrendous idea. With Toby's father newly headless and Katie kidnapped, poor Toby goes rather mad from this and spends the next six years in a mental institution while simultaneously and miraculously not aging whatsoever. After fibbing his way through a gab session with his doctor, Toby is released to salvage the rest of his young life. He begins a tutoring job for a very eccentric couple who live in an isolated old mansion, throughout which Toby seems to sense Katie attempting to communicate with him. When Toby meets his student, Laura, who to him appears to be his missing beloved Katie, well, things get real awkward real fast.

The Forbidden Girl is a beautifully photographed film with better-than-average special effects that unfortunately still ends up being kind of a mess. Creepy visuals and impressive set designs promise a story engaging and unique that, though it tries, never manages to be more than almost perfunctory. Tonally, the film is similar to William Malone's Parasomnia, though it shares that film's woes as well - essentially, both are impressively realized dreamscape films that exist solely to show off the interesting and disturbing visuals on display. There's no doubt about it that Till Hastreiter knows how to direct, present a beautiful image, and work within his budget (though the day-for-night shooting needs a little work). For once the acting in a low budget horror film isn't entirely deplorable. Our lead (Peter Gadiot) is earnest and likable, and his strange new employer is suitably a big creep. But again, both seem committed to a story that never quite established what it wants to be. Horror? Whimsical fantasy? Teen love? (Gross.)

Never would I accuse The Forbidden Girl of being artistically hollow, as there is a genuine attempt to present a story as engaging as the visuals are compelling, but the script never manages to be more than this thing that ultimately ends up getting in the way of the next creepy or stunning set-piece.

It hits video tomorrow.

NICE LEGS

THE FEEJEE MERMAID

Mermaids had been presented at shows for centuries. These were often dugongs or people afflicted with sirenomelia. During the Renaissance and the Baroque eras, the remains of mermaids were a staple of cabinets of curiosities. However the exhibit which created the Fiji mermaid concept was popularized by P. T. Barnum, but has since been copied many times in other attractions, including the collection of Robert Ripley. The original exhibit was shown around the United States, but was lost in the 1860s when Barnum's museum caught fire. The exhibit has since been acquired by Harvard University's Peabody Museum of Archaeology and Ethnology and is currently housed in the museum's attic storage area. 

The Fiji mermaid came into Barnum's possession via his Boston counterpart Moses Kimball, who brought it down to Barnum in late spring of 1842. On June 18, Barnum and Kimball entered into a written agreement to exploit this "curiosity supposed to be a mermaid." Kimball would remain the creature's sole owner and Barnum would lease it for $12.50 a week. Barnum christened his artifact "The Feejee Mermaid." In Barnum's exhibit, the creature was allegedly caught in 1842 by a "Dr. J. Griffin." Griffin was actually Levi Lyman, one of Barnum's close associates.

THAT'S SOME WORM

This giant (4-foot-long) killer worm was discovered in an aquarium (Newquay’s Blue Reef Aquarium) in the UK. They found Barry, the giant killer worm, when they were trying to find out what was eating the prize fish and attacking the coral. Experts say that this worm can permanently numb a human with its sting.