Apr 20, 2014

ONE MORE STORY...

 
"In five minutes, it will be the 21st of April. One hundred years ago on the 21st of April, out in the waters around Spivey Point, a small clipper ship drew toward land. Suddenly, out of the night, the fog rolled in. For a moment, they could see nothing, not a foot in front of them. Then, they saw a light. By God, it was a fire burning on the shore, strong enough to penetrate the swirling mist. They steered a course toward the light. But it was a campfire, like this one. The ship crashed against the rocks, the hull sheared in two, mars snapped like a twig. The wreckage sank, with all the men aboard. At the bottom of the sea, lay the Elizabeth Dane, with her crew, their lungs filled with salt water, their eyes open, staring to the darkness. And above, as suddenly as it come, the fog lifted, receded back across the ocean and never came again. But it is told by the fishermen, and their fathers and grandfathers, that when the fog returns to Antonio Bay, the men at the bottom of the sea, out in the water by Spivey Point will rise up and search for the campfire that led them to their dark, icy death."

CREAPSTER


Apr 18, 2014

LAST SUPPER

Allegedly found in the cellar of a recently deceased elderly woman:


Apr 17, 2014

BLACK SPOT

Filmmaker Luther Bhogal-Jones, whose previously shared with me his short film, "Creak," reached out to me to share another short film made by himself and his merry band of miscreants. Called "Black Spot," it is a six-minute homage to the deranged and mentally unbalanced films made at the height of 1970s madness. Personally, I had The Last House on the Left in mind the entire time I watched it. It's available to watch in three different formats: traditional 3D, stereoscopic 3D, and plain-old 2D. The 2D version is embedded here:



“Black Spot” F.A.Q.

What was the inspiration for the story?
 
Luther was looking for a scenario that would let him test the device out against landscapes, but also a compact interior. He didn't want to film something entirely set in a house, as it felt somewhat limiting on scope.  Luther isn't too sure where the actual inspiration for setting the film around a broken down car came from – possibly as a result of his day job travelling around as an account manager – but also it references back to his previous short film “Stranded” which involved a broken down car in one of the three storylines.

 There was definitely a desire to give the film a 1970s horror feel – not necessarily the now cliched grindhouse style but something that felt relentless, grim, trashy...

What was the budget of the film?

 Removing the “cost” of the camera from the film's budget, "Black Spot" was made for less than one hundred and fifty pounds, with all cast and crew working for travel and food expenses only. Specific props and clothing were required for the film which was where the majority of the expenditure went.

Where can people see the film?

The film is available online with 3 formats available to view – in 3D with red/cyan glasses as Luther intended the film to be seen, in stereoscopic 3D for those with 3D TVs at home and, lastly, in a 2D version for those who cannot view the 3D versions.

The film will also be submitted to various horror festivals around the world over the year.

 What's next for Faster Productions and Sincerely, Psychopath?
 
“Black Spot” comes under the umbrella name of Sincerely, Psychopath which is used by Faster Productions for the films of a more horror/ fantastical nature. The next film to come under that brand will be “Knock Knock,” which is a short horror showing the mental breakdown of a woman terrorized by a knocking at her door.

The next offering from Faster Productions will be “Pick-Ups,
which is currently in post production, and is a short drama with a comedic sting in the tale about a man gives up everything and travels to Eastern Europe to be with the woman who he thinks is “the one.”