Despair
Feb 1, 2014
Jan 31, 2014
Jan 30, 2014
HAND PRINT
A photograph allegedly leaked from the Erie, PA, police department appears to show a disproportionately large hand-print on a missing students dorm room window.
19 year old Elizabeth Hetzler disappeared from her dorm in Edinboro University of Pennsylvania on the night of February 12th, 2007. Her room was located on the third floor of the building, the door was locked, and there was no ledge outside her window. Her roommate awoke in the morning, having heard nothing unusual overnight and simply assumed that Elizabeth had left to go to class early. The roommate later told investigators that when she noticed the hand-print, she screamed and knew immediately that “everything Elizabeth had been talking about was true. It was real.”
The previous evening, Elizabeth had remarked to her friends that she’d had a strange experience walking back to her dorm from a late night dance rehearsal. As she made her way across campus, she gradually got the uneasy feeling that someone was watching and following her. “She seemed so relieved to be back in her room again,” her roommate said.
No trace if Elizabeth has yet been found, and investigators have called it the most baffling missing person case of their careers. Since the above image has been circulating the internet for nearly two years, it is difficult to say for certain if it is genuine, although it matches what students and investigators have described (note its size in relation to the coffee pot in the foreground). Remarked Detective Stephen Broze, “You’d think our suspect would be pretty easy to spot. He must stick out in a crowd with eleven-inch fingers.”
Jan 29, 2014
REVIEW: HOLLOW CITY
Over a year ago, I reviewed Ransom Rigg's first novel about his misfit kids, Miss Peregrine's Home for Peculiar Children. I did it for no other reason other than I found it an enjoyable read with some real emotions built upon the fond recollection of childhood love and nostalgia, so I thought I would share it with you. Strictly by happenstance, I later crossed paths with Quirk Books, the Philly-based publishing outfit responsible for bringing Miss Peregrine to the world. As luck would have it, they offered me the chance to review its highly anticipated sequel, Hollow City, and I happily accepted.
Hollow City picks up precisely where the previous story ended: Jacob, Emma, Bronwyn, and the other peculiar children are now stranded in the middle of the ocean in a few rickety rowboats, their only earthly possessions remaining a couple suitcases of clothes, a doorknob, and a book of fantastical stories. With them trapped by miles of ocean, and Miss Peregrine trapped in the small body of a broken-feathered bird, things seem entirely hopeless. Jacob's peculiar power as one who can sense the presence of a wight, or a hollow, or any manner of dangerous mystical predators, is not yet at this point fully formed, so he feels more isolated than ever: a little more than human, but not quite peculiar, he doesn't feel as if he belongs anywhere anymore.
Hollow City will see our peculiar children undertake several dangerous locations, from forests, to train stations, to the streets of London. And all during this, each of the children, who are now more in the forefront of the action unlike their previous novel, thankfully have more to offer about themselves and a bit of their histories. There's something strangely sweet about these children and how they protect each other in times of danger. There's a wistful kind of feeling to these kids that, depending on the reader, will make the reader recall their own childhood chums. Granted, said chums likely did not have the ability to shoot bees from their mouths, but that didn't make their presence or loyalty any less treasured.
And while Riggs continues to expand upon each of his characters, he also adds a few completely unexpected new ones. Books of this type taking place in an environment where nearly anything can happen can sometimes go off the rails. If there are no rules, it becomes literary anarchy. But Riggs keeps everything grounded using a nice assemblage of both emotion and humor. So when a talking dog shows up with a hat and pipe, just go with it, because this is how it goes in Peculiar Lanf.
One thing you may notice about Hollow City is that, while it's just as impressively written and realized as the previous novel, there's something about the prose that seems a bit more...I'm not sure...poetic? Melancholy? Perhaps it's simply the nature of the story that has left that kind of impression on me, but the events that guide the book along its path seem a bit more..I hate to use an overused word...dark.
Hollow City will see our peculiar children undertake several dangerous locations, from forests, to train stations, to the streets of London. And all during this, each of the children, who are now more in the forefront of the action unlike their previous novel, thankfully have more to offer about themselves and a bit of their histories. There's something strangely sweet about these children and how they protect each other in times of danger. There's a wistful kind of feeling to these kids that, depending on the reader, will make the reader recall their own childhood chums. Granted, said chums likely did not have the ability to shoot bees from their mouths, but that didn't make their presence or loyalty any less treasured.
And while Riggs continues to expand upon each of his characters, he also adds a few completely unexpected new ones. Books of this type taking place in an environment where nearly anything can happen can sometimes go off the rails. If there are no rules, it becomes literary anarchy. But Riggs keeps everything grounded using a nice assemblage of both emotion and humor. So when a talking dog shows up with a hat and pipe, just go with it, because this is how it goes in Peculiar Lanf.
One thing you may notice about Hollow City is that, while it's just as impressively written and realized as the previous novel, there's something about the prose that seems a bit more...I'm not sure...poetic? Melancholy? Perhaps it's simply the nature of the story that has left that kind of impression on me, but the events that guide the book along its path seem a bit more..I hate to use an overused word...dark.
The relationship between Jacob and Emma continues to intensify, but also bring with it complications. Theirs is not a typical love story, and even the normal boring folks out in the real world can hardly ever get it right. Riggs continues to effortlessly explore their budding romance; love has gotten all of us into all kinds of trouble, and so Jacob not only has to wrestle with who he is, who his grandfather was, and what his future may or may not entail, he's doing it while slowly falling in love with Emma, and letting that love guide much of his determination to press forward with this strange journey that he has begun.
Also present and accounted for is Riggs' use of antiquated photographs to tell his story. I've not done proper research into the writing of Hollow City because I'm a lazy bum, so I'm not sure if the photographs included here were written into the story they have indirectly inspired, or if they were created after the fact to continue this theme of found photography. Of course it's entirely possible that old photographs of, say, two zeppelins above a mountainous landscape, existed long before the realization of the book, but it still has me wondering, anyway. If nothing else, remember: Internet has connected us with more stories of the fantastic and incredible than any other medium; perhaps at one time, way before ISPs were ever a thing, people collected proof of the abnormal the old-fashion way: by taking a photo. Perhaps, at one time, someone really did have a photo of a boy holding up his sister by her hand...as she's suspended in the air above him upside down. Frankly, I'd rather not know the photos' origins, and it doesn't matter either way, as the story is simply too well-constructed and engaging. I suppose if you find yourself wondering for too long which came first - the photo or the story - then you're simply not being grabbed by all Hollow City is offering you.
Jan 28, 2014
GOOGLE DEATH
Type 52.376552,5.198303 into Google Maps.
You'll find a man dragging a body into a lake.
Just kidding. Turns out it was Rama the Dog.
Jan 27, 2014
YOU NEVER KNOW
It could happen to anyone. People bury a person alive to scare them or to get rid of them. In this situation, rely only on yourself.
Do not waste oxygen. In a classic coffin there’s only enough oxygen for about an hour, maybe two. Inhale deeply, exhale very slowly. Once inhaled - do not swallow, or you will start to hyperventilate. Do not light up lighters or matches, they will waste oxygen. Using a flashlight is allowed. Screaming increases anxiety, which causes increased heartbeat and therefore - waste of oxygen. So don’t scream.
Shake up the lid with your hands. In some cheap low-quality coffins you will be able to even make a hole (with an engagement ring or a belt buckle.)
Cross your arms over your chest, holding onto your shoulders with your hands, and pull the shirt off upward. Tie it in a knot above your head, like so:
This will prevent you from suffocating when the dirt falls on your face.
Kick the lid with your legs. In some cheap coffins the lid is broken or damaged already after being buried, due to the weight of the ground above it.
As soon as the lid breaks, throw and move the dirt that falls through in the direction of your feet. When it takes up a lot of space, try pressing the ground to the sides of the coffin with your legs and feet. Move around a bit.
Whatever you do - your main goal is to sit up: dirt will fill up the empty space and move to your advantage, so no matter what - do not stop and try breathing steadily and calmly.
Get up. Remember: the dirt in the grave is very loose, so battling your way up will be easier than it seems. It’s the other way around during a rainy weather however, since water makes dirt heavy and sticky.
Jan 26, 2014
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