JUST IN CASE...

RESOURCEFUL

In the winter of 1944, with overtaxed supply lines in the Ardennes, a combat medic in the German army had completely run out of plasma, bandages and antiseptic. During one particularly bad round of mortar fire, his encampment was a bloodbath. Those who survived claimed to have heard, above the screams and barked commands of their Lieutenant, someone cackling with an almost otherworldly glee.

The combat medic had made his rounds during the fire, in almost complete darkness as he had so many times before, but never had he been this short on supplies. No matter. He would do his duty. He had always prided himself on his resourcefulness.

The bombardment moved to other ends of the line, and most men dropped off to sleep in the dark, still hours of the morning – New Year’s Day, 1945. The men awoke at first light with screams. They discovered that their bandages were not typical bandages at all, but strips of human flesh. Several men had been given fresh blood transfusions, yet there had been no blood supplies available. Each treated man was almost completely covered, head-to-toe, with the maroon stain of blood.

The combat medic was found, sitting on an ammunition tin, staring off into space. When one man approached him, and tapped him on the shoulder, his tunic fell off to reveal that large patches of his skin, muscle, and sinew had been stripped from his torso and his body was almost completely dried of blood. In one hand was a scalpel, and in the other, a blood transfusion vial. None of the men treated for wounds that night, in that camp, saw the end of January, 1945.

FROZEN

NOOOOO!!!

Well ain't that heartbreaking...

DVD REVIEW: ROGER CORMAN'S HORROR CLASSICS VOL. 1

 

It's easy to sift through the producing career of Roger Corman and wonder why anyone gives a hootenanny about the man who brought us some of the most ridiculously titled, conceptualized, and realized films of all time. But dig a little deeper. Start doing some clicking. Start realizing he was the one to give some of Hollywood's biggest names their first break. You want actors? Try Jack Nicholson or Sylvester Stallone. Directors? Perhaps you've heard of Martin Scorsese, Ron Howard, Jonathan Demme, or Joe Dante. And believe me, this list keeps going. A man known for releasing decades upon decades of schlock has proven himself to be an invaluable asset for struggling filmmakers - a conduit between the oblivion of the obscure and the world of the mainstream. 

Everyone has their favorite Corman flick. If I had to pick mine, it would be a toss-up between the original versions of Death Race 2000 and Piranha. There is an undeniable power to these and many of his other films. As Wes Craven once said, some filmmakers have the power to scare you, but there are some other filmmakers that feel "dangerous" to audiences, and who can't be entirely trusted to stop at that line between acceptable cinematic horror and beyond it. Roger Corman has the power to infuse his own directorial body of work with that feeling of danger, as well as finding other filmmakers to find that same line and obliterate it. 

Three films comprise Roger Corman's Horror Classics: Vol 1: A Bucket of Blood and The Terror, directed by Corman, and Dementia 13, directed by a young Frances Ford Coppola. Yes, of The Godfather trilogy, Apocalypse Now, and The Conversation. For the first time ever on home video, each film has been digitally remastered. Who'd've thought such films made on the cheap could look so fantastic?

Or at least varying degrees of fantastic. Given their age and original budgets, only so much could have been done. A Bucket of Blood might look the best, due in part to its original black and white format. Except for a few artifacts and mild blemishes, it looks pretty good. And watching Dick Miller in a rare leading role about a coffee shop busboy slowly losing his mind as he desires to become a heralded artistic genius is always a fun time.

Dementia 13 might be the selling point of this set, if only because of the man behind the camera: Frances Ford Coppola. One of his earliest efforts is about a woman who covers up the death of her husband by getting rid of his body, only to find herself forced to mingle with members of his family in an effort to keep up the illusion that he's just fine. (For the inheritance, you see.) One of these family members turns out to be fairly crazy, and they have an ax to prove it. Dementia 13 looks a little muddy at spots, but then quickly alternates to looking pretty smooth. Overall it looks great; a victim of multiple public domain video releases by distributors looking for a quick buck on a recognizable title, it might be at its best looking here.

The Terror, never a favorite Corman flick of mine, probably yields the least impressive results. Quite possibly another public domain titles for many years, it's one that's never appeared anywhere with a laudable transfer. I'd wager that while this is probably the best it's ever looked, it's not going to knock your socks off, either.

If you're one of the lucky few who's just had a spiritual awakening and realized the horror genre is your thing, and if you've heard the name of Roger Corman and want to start there, this recently released collection by Film Chest is your perfect prerequisite. A collection that shows off the traits for which Corman would become famous - gothic horror and morbid humor - awaits you with Roger Corman's Horror Classics: Vol 1.

Buy.

WOMAN IN THE WINDOW

The image is said to bear an eerie resemblance of Frances Grimshaw, who worked at the guesthouse and stood for hours at the same window taking bookings.

David Grimshaw, a former resident at the property, said he was convinced the figure is the ghost of his mother, who died nearly a year ago aged 87.

He believes her spirit may have appeared to protest at the demolition of Meadowbank House, which she adored.

"That is my mother. I'm totally convinced – no one else looks like that. She had glasses and big earrings and she used to wear a dress with a bow at the front," he said.

"She used to stand in that room for hours on the phone – it was the guesthouse reception and she took bookings from there.”

Mr Grimshaw, 59, a managing director, who now lives in Bedford, said: "She would have been horrified if she had known the house was being demolished because it was beautiful, so maybe that is why she's turned up."

Demolition supervisor Robert Johnson, 38, of Heysham, took the photograph of the house shortly before it was knocked down, earlier this week but it was only later that he noticed the ghostly figure.

"It wasn't until I got home and showed my wife that we spotted the woman," he said.

"You can see the jewellery on her and everything. I've always been a sceptic but I'll have to believe in ghosts now."

Colleague Stuart Shan, 34, from Blackburn, Lancashire, said: "The day before we took the photo we were stripping the building inside and I noticed the chandelier swinging on its own.

"We said at the time the place felt strange. My hairs were standing on end when I saw the photo. I believe it is a ghost."

Dave Armstrong, of Kendal contractors Cox and Allen, said the five-gabled building, which was originally a dentist's in the early 1900s, has been taken down to be replaced with a new commercial property.

He said he could not explain the image of the woman. "There was only a black wall behind the window, we had taken everything out – there were no visible features or anything with a skin colour."

IF IT WERE STINE

And my personal favorite:

But really, I love all of these.

Check out the rest. Well done, tumblr-runners.