HAUNTING THE SET OF THE CONJURING

Based on true events, The Conjuring is an upcoming horror flick about a Rhode Island family terrorized by evil spirits. A trailer for the film offers plenty of scares, but it seems the movie’s cast and crew experienced plenty of frights themselves. Production notes from Warner Bros. describe a number of the strange events that occurred during the making of The Conjuring.

Interference
The Conjuring is told from their perspective of real-life paranormal investigators Ed and Lorraine Warren. Screenwriters Chad and Carey Hayes often called Lorraine to discuss the case, though static frequently interrupted their conversations and the line had a habit of going dead. Though the Hayes were puzzled, Lorraine wasn’t surprised.

“We’re about to expose the dark side of the dark side, and it doesn’t want good to win,” Warren told the brothers. “I’m surprised there isn’t a lot more interference.”

Claw Marks
Actress Vera Farmiga, who plays Lorraine Warren in the film, was fascinated by the events in The Conjuring, but felt uneasy reading the script. Farmiga admits she wouldn’t read the script at home or at night and could only review the story in “fits and spurts,” lest she be overwhelmed by fear. One day, Farmiga opened her laptop and saw five claw marks slashed across the screen.

“I don’t know how to explain it,” the actress said. “I do know I hadn’t dropped the computer, and my children hadn’t stepped on it. So I gingerly closed it, put it away, and then my brain just went berserk.”

More at Ghosts 'N Ghouls.

REVIEW: EXHUMED

The blinking cursor. It's been on the screen for a long time. Because I have no idea what to write. Because I have no idea what it is I've just watched. Part black-and-white art film, part David Lynch-esque eccentricity, part circa Night of the Hunter and The Innocents golden-age cinema, Exhumed is nearly beyond proper description. What it is, is certainly an examination of damaged psyche. 

Debbie Rochon, the hardest working actress in all of horror showbiz, plays the Governess - the matriarchal head of a demented household populated by a band of eccentrics and misfits. When a "room" in their house opens up, a notice is placed at the local college advertising space for rent. When Chris (Michael Reed...of The Disco Exorcist!) responds to the ad, one of the household's occupants, Laura (Sarah Nicklin), becomes smitten with him. This doesn't sit well with the Governess, so she utilizes her own brand of "rules" in order to keep control. 

Meanwhile, you've got Matthew (Nathaniel Sylva), the father (?), whose favorite past time has him down in the cellar with his mannequins, finding the right positions so they all perfectly encapsulate their household occupant's counterpart - right down to Chris' mysterious black eye, or his extended wine glass. When you add Rocki, a smart-ass siren who walks around in a slinky silk robe, and Lance, a seeming man child, you've got the dysfunctional family to end all dysfunctional families.

Except for Chris, every character in Exhumed is some level of insane. And though they all accept their familial roles, they aren't a "family" per se - more like a group of deranged individuals who somehow found each other and have managed to make a home. You've got the quibbling husband and wife dynamic, as well as the older and younger sister relationship, in which the former encourages the younger to exit her shell and experience more of the "adult" aspects of life. Only they're all out of their fucking minds, so, these dynamics are pushed to nearly merciless limits.

The most interesting parts of the film find Laura lost in her own made-up world where Chris wears a fine tuxedo and speaks to her as if he were Cary Grant. Really, her mind creates a world for her plucked from a film right out of the 1930s - even down to the antiquated (perhaps library) musical choices. Cigarette smoke smolders and the two share a rather beautiful bond; this is the world in which Laura wants to exist, not the "real" one, in which Chris lies - quite dead - in her bed.

Shot beautifully and confidently in black and white (utilizing color only for flashback sequences, of which there are many), director Richard Griffin (The Disco Exorcist again!) never hesitates to put forth his vision for how this film should look and how its characters should convey their own unique brands of psychosis. The Governess, for instance, isn't afraid to brandish a knife or a hammer to dispatch any unwanted guests, and Laura isn't afraid of a little... necrophilia...

Exhumed is just odd - there's no getting around that. It's flawed, but impulsively watchable. Even as the acting teeters between weak and just fine, and even as the film threatens to get lost in its own style as it occasionally becomes a bit heavy-handed, you do want to keep watching. It's the most fucked-up family you'll have cared about since your own.

A filmmaker's strength can shine through the lowest of budgets, regardless of whether his or her film is a success. Confidence and a steady hand are always obvious, and Richard Griffin has both. It is a decidedly far more subtle approach for the filmmaker than some of his previous efforts, and it's one I wish had been provided with just a bit more funding. The cast here is mostly fine, but a better one could have propelled this to the next level.

Still, check it out if you're in the mood for something dark and a little bleak. It's the stuff of fever nightmares.

LIVING DOLLS

A historian has been arrested in central Russia after police found the corpses of 29 women, dressed as dolls, in his apartment, authorities said this week.

The 45-year-old man, who police did not identify, has been charged with desecrating bodies and graves, officials said.

Video released by police showed an eerie collection of what looks like life-sized dolls, outfitted in shabby dresses and headscarves, their hands and faces wrapped in fabric. Authorities say the man also stole clothes from the graves when he took the bodies.

Even seasoned investigators and forensic experts were shocked when their investigation led them to the historian and the contents of his apartment, where the women’s mummified bodies were found. The corpses were those of women who died between the ages of 15 to 25, officials said.

Gribakin also said during the search the police found “photographs and plaques from gravestones, doll-making manuals as well as maps of local cemeteries.”

Story source.

THE OLD ASH TREE

Click the tree.

MISSING

These images record the last remaining sighting of 11-year-old Maisle Deacon. They were taken by her sister, Isabelle, on the morning of October 23rd. According to Isabelle, Maisle had been talking to an unseen person in the afternoon. When Isabelle, an amateur photographer, went outside to investigate, Maisle began to struggle as if somebody was holding her against her will. Amused by Maisle's seemingly innocuous antics, Isabelle photographed her sister, only to be knocked unconscious by what she described as a blunt gust. Isabelle was found against a tree, cradling the very same skull depicted in the photographs. Later dental record analysis confirmed that the skull belonged to none other than Maisle Deacon herself. The cloaked figure has never been identified.

#NIGHTMARES

Received this fun little message the other day from the folks behind the upcoming video release of Frances Ford Coppola's Twixt:

We just launched an aggregation of the creepiest, most twisted images on the web, offering horror fans a disturbing place to come and see anything and everything to give them nightmares at TwixtNightmares.com. 

Users will just need to hashtag #nightmare from their Twitter, Instagram, or Tumblr account for their pics and posts to be a part of the site. I’m reaching out because I think your audience would have fun looking through the site and trying to top the pictures on there by looking for something even creepier.

 I'll play!

SUICIDEMOUSE.AVI

Do any of you remember those Mickey Mouse cartoons from the 1930s? The ones that were just put out on DVD a few years ago? Well, I hear there is one that was unreleased to even the most avid classic Disney fans. According to sources, it's nothing special. It's just a continuous loop (like "The Flinstones") of Mickey walking past 6 buildings that goes on for two or three minutes before fading out. Unlike the cutesy tunes put in, though, the song on this cartoon was not a song at all, just a constant banging on piano keys for a minute and a half before going to white noise for the remainder of the film. It wasn't the jolly old Mickey we've come to love, either - Mickey wasn't dancing, not even smiling, just kind of walking, as if you or I were walking, with a normal facial expression, but for some reason his head tilted side to side as he kept this dismal look. Up until a year or two ago, everyone believed that, after it cut to black, that was it. When Leonard Maltin was reviewing the cartoon to be put in the complete series, he decided it was too junky to be on the DVD, but wanted to have a digital copy due to the fact that it was a creation of Walt. When he had a digitized version up on his computer to look at the file, he noticed something: The cartoon was actually 9 minutes and 4 seconds long. This is what my source emailed to me, in full. (He is a personal assistant to one of the higher executives at Disney, and an acquaintance of Mr. Maltin himself):

After it cut to black, it stayed like that until the 6th minute, before going back into Mickey walking. The sound was different this time. It was a murmur. It wasn't a language, but more like a gurgled cry. As the noise got more indistinguishable and loud over the next minute, the picture began to get weird. The sidewalk started to go in directions that seemed impossible based on the physics of Mickey's walking. And the dismal face of the mouse was slowly curling into a smirk. On the 7th minute, the murmur turned into a bloodcurdling scream (the kind of scream painful to hear) and the picture was getting more obscure. Colors were happening that shouldn't have been possible at the time. Mickey's face began to fall apart. His eyes rolled on the bottom of his chin like two marbles in a fishbowl, and his curled smile was pointing upward on the left side of his face. The buildings became rubble floating in midair and the sidewalk was still impossibly navigating in warped directions. Mr. Maltin got disturbed and left the room, sending an employee to finish the video and take notes of everything happening up until the last second, and afterward, immediately stored the disc of the cartoon into the vault. This distorted screaming lasted until 8 minutes and a few seconds in, and then it abruptly cuts to the Mickey Mouse face at the credits of the end of every video with what sounded like a broken music box playing in the background. This happened for about 30 seconds, and whatever was in that remaining 30 seconds I haven't been able to get a sliver of information. From a security guard working under me who was making rounds outside of that room, I was told that after the last frame, the employee stumbled out of the room with pale skin saying, "Real suffering is not known," 7 times before speedily taking the guard's pistol and offing himself on the spot. The only thing I could get out of Leonard Maltin was that the last frame was a piece of Russian text that roughly said, "The sights of hell bring its viewers back in." As far as I know, no one else has seen it, but there have been dozens of attempts at getting the file on Rapidshare by employees inside the studios, all of whom have been promptly terminated of their jobs. Whether it got online or not is up for debate, but if rumors serve me right, it's online somewhere under "suicidemouse.avi." If you ever find a copy of the film, I want you to never view it, and to contact me by phone immediately, regardless of the time. When a Disney death is covered up as well as this, it means this has to be something huge.