REVIEW: THE FORBIDDEN GIRL

I was just saying to my mother the other day, "You know what I could go for? One of those sexy, witchy, witch-sex movies."

Then I came home, looked in my mailbox, and grinned. Inception Media had heard my utterances on the late-summer wind and sent me a copy of The Forbidden Girl to review.

My pants were never the same.

A late-night rendezvous between Toby, the son of an apparent religious fanatic, and his girlfriend, Katie, goes pretty sour after she shows him the locket that she's wearing around her neck, which attracts some kind of black-smoke demon that comes and takes her away. See, it was really important to Toby's priest pops that Toby remain all chaste and stuff, so obviously sneaking off to see Katie, Kewpie-doll-voice seductress that she is, was a horrendous idea. With Toby's father newly headless and Katie kidnapped, poor Toby goes rather mad from this and spends the next six years in a mental institution while simultaneously and miraculously not aging whatsoever. After fibbing his way through a gab session with his doctor, Toby is released to salvage the rest of his young life. He begins a tutoring job for a very eccentric couple who live in an isolated old mansion, throughout which Toby seems to sense Katie attempting to communicate with him. When Toby meets his student, Laura, who to him appears to be his missing beloved Katie, well, things get real awkward real fast.

The Forbidden Girl is a beautifully photographed film with better-than-average special effects that unfortunately still ends up being kind of a mess. Creepy visuals and impressive set designs promise a story engaging and unique that, though it tries, never manages to be more than almost perfunctory. Tonally, the film is similar to William Malone's Parasomnia, though it shares that film's woes as well - essentially, both are impressively realized dreamscape films that exist solely to show off the interesting and disturbing visuals on display. There's no doubt about it that Till Hastreiter knows how to direct, present a beautiful image, and work within his budget (though the day-for-night shooting needs a little work). For once the acting in a low budget horror film isn't entirely deplorable. Our lead (Peter Gadiot) is earnest and likable, and his strange new employer is suitably a big creep. But again, both seem committed to a story that never quite established what it wants to be. Horror? Whimsical fantasy? Teen love? (Gross.)

Never would I accuse The Forbidden Girl of being artistically hollow, as there is a genuine attempt to present a story as engaging as the visuals are compelling, but the script never manages to be more than this thing that ultimately ends up getting in the way of the next creepy or stunning set-piece.

It hits video tomorrow.

NICE LEGS

THE FEEJEE MERMAID

Mermaids had been presented at shows for centuries. These were often dugongs or people afflicted with sirenomelia. During the Renaissance and the Baroque eras, the remains of mermaids were a staple of cabinets of curiosities. However the exhibit which created the Fiji mermaid concept was popularized by P. T. Barnum, but has since been copied many times in other attractions, including the collection of Robert Ripley. The original exhibit was shown around the United States, but was lost in the 1860s when Barnum's museum caught fire. The exhibit has since been acquired by Harvard University's Peabody Museum of Archaeology and Ethnology and is currently housed in the museum's attic storage area. 

The Fiji mermaid came into Barnum's possession via his Boston counterpart Moses Kimball, who brought it down to Barnum in late spring of 1842. On June 18, Barnum and Kimball entered into a written agreement to exploit this "curiosity supposed to be a mermaid." Kimball would remain the creature's sole owner and Barnum would lease it for $12.50 a week. Barnum christened his artifact "The Feejee Mermaid." In Barnum's exhibit, the creature was allegedly caught in 1842 by a "Dr. J. Griffin." Griffin was actually Levi Lyman, one of Barnum's close associates.

THAT'S SOME WORM

This giant (4-foot-long) killer worm was discovered in an aquarium (Newquay’s Blue Reef Aquarium) in the UK. They found Barry, the giant killer worm, when they were trying to find out what was eating the prize fish and attacking the coral. Experts say that this worm can permanently numb a human with its sting.

THE DEVILS ARE ANGELS

"The only thing that burns in Hell is the part of you that won't let go of life, your memories, your attachments. They burn them all away. But they're not punishing you. They're freeing your soul. So, if you're frightened of dying and you're holding on, you'll see devils tearing your life away. But if you've made your peace, then the devils are really angels, freeing you from the earth."

PRESERVED

This indigenous Mexican woman’s memory is literally preserved, as she – following her death in 1860 – was stuffed and put on display the very way she had been while alive. Also born with hypertrichosis, her features were more characteristic of a gorilla than a dog; her nose and ears were especially large, her face was covered with hair, and she had a double pair of teeth which pronounced her mouth as such. She had a husband named Theodor Lent – who had originally purchased her and taught her to be a performer – and eventually a child of the same affliction, who died after three days. She died five days after that (complications from birth), and her exploitative husband had both her and the baby mummified and placed in a glass cabinet. Lent went on to marry another woman with a similar condition, and was later admitted to a mental hospital.

 

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