GOOD SHOT

Charlie Noonan was an amateur folklorist who traveled throughout the South and Southwestern United States during the early years of the 20th century, collecting tall tales and stories of the supernatural. According to his wife, Ellie, Charlie was told a story one day by an Oklahoma farmer about a strange woman who lived alone on an isolated property in the panhandle. The farmer claimed the woman was not a woman at all, but something else, something that hid its true nature beneath a headscarf and was never seen without a large dog by its side. Noonan was apparently intrigued enough to try searching for the woman during one of his research road trips. He was never seen again.

Ellie Noonan was later contacted by a Tulsa pawnbroker who remembered reading about her husband’s disappearance in the papers, after finding his name engraved on a camera sold to him by an itinerant. The pawnbroker returned the camera, and Mrs. Noonan had the film inside developed in the hopes of finding a clue as to his whereabouts. This was the only photo on the roll. Unfortunately, neither the location of the property, nor the name of the farmer who told him the story was recorded in Noonan’s notes.

Story and image source.

HITCH

Aquatic Hitchcock. Cannes, 1963.

PHANTASM EXHUMED: AN INTERVIEW WITH AUTHOR DUSTIN McNEILL

When someone says the word “franchise” or “series” to a horror fan, inevitably that fan will immediately think of Friday the 13th, A Nightmare on Elm Street, and Halloween. Jason, Freddy, and Michael have been infamous horror genre boogeyman for approaching forty years. They are the next generation’s Dracula, Wolf Man, and Frankenstein’s Monster. But they are also, with all due respect, half-ideas and whisper-down-the-alleys. Their imperfectly perfect originals (each film for different reasons) have been fleshed out, explored, expanded upon, and exploited with multitudes of sequels and remakes, none of which had the input from the creative team responsible for bringing the groundbreaking original to screens. Their tangential mythologies have traversed such differing directions that they eventually no longer embodied what their original creators had established.

That cannot be said for the Phantasm series, which has seen the same writer/director on all four films, as well as most of the cast. In 1979, series creator Don Coscarelli unleashed upon the world an absurd and bizarre fever dream called Phantasm. And its main cast of A. Michael Baldwin, Reggie Bannister, Bill Thornbury, and the immeasurable Angus Scrimm have been along for the ride ever since. (I suppose we can “forgive” the presence of James LeGros as Mike in Phantasm II, but no forgiveness is necessary, as he was great in the role.)

Getting back to those aforementioned horror franchises, they have been lucky enough and beloved enough to receive respectful and definitive retrospectives with an assemblage of books (Crystal Lake Memories; Halloween: The Complete History) and video documentaries (Halloween: 25 Years of Terror; Never Sleep Again: The Elm Street Legacy).

Up to this point, beyond special features on DVD releases, no such attention has ever been paid to the Phantasm series, consisting of the original, Phantasm II, Phantasm III: Lord of the Dead, and Phantasm: Oblivion.
 

Enter Dustin McNeill, owner of the Phantasm Archives, moderator of the Phantasm Community, longtime Phantasm fan (er, phan, as we're often called), and now author, who has penned Phantasm Exhumed: The Unauthorized Companion, which streets late March from Harker Press. In the author's own words, Phantasm Exhumed is "a meticulously researched look at the chronological day-by-day making of the four Phantasm films from script page to world premiere as told through the stories and anecdotes of cast, crew, producers and effects makers. In addition to the four film sections, Phantasm Exhumed contains a Primordium chapter that covers in less detail the making of Don Coscarelli's first two films, Jim the World's Greatest and Kenny & Company...The book also benefits greatly from the inclusion of rare and unpublished journals by Angus Scrimm and Kristen Deem that collectively span all four films."

To quote the book's author, let's do a little more digging...

---

Tall Man in Desert: Guy Thorpe

The End of Summer (TEOS): At what age did you discover the weird and wild world of Phantasm? Where were you, and which film was your first?

Dustin McNeill (DM): I was fifteen when I happened upon the original at my local video store. I thought it was terrific, but never gave any thought to there being sequels. When I discovered two years later that sequels existed, I very quickly tracked them down and thought they were just as great. Phantasm: Oblivion is my absolute favorite sequel. Parts II and III I dig almost equally, with a slight edge going to Phantasm II.

TEOS: What was it about the Phantasm series that drew you in?

DM: The Tall Man! What a great horror villain! He barely spoke, but when he did I hung on his every word. I immediately recognized that the series wasn't spoon-feeding the audience answers about him or the other weird goings-on. The mythology required that you figure out certain things for yourself. I loved that.

TEOS: I recall reading your excellent Phantasm article in a 2009 issue of HorrorHound Magazine. Was this you testing the waters for a run at a potential Phantasm book? Or did writing the article parlay into the idea that you could potentially write an entire series retrospective?

DM: Thanks for the kind words. It came together very quickly and I would've loved to have had more time on it. In 2009, I was just beginning work on my book when the HorrorHound opportunity presented itself. I wasn't really sure what the focus of my book was yet, though I sensed there was a huge demand for it. That the issue completely sold out and is now only available from collectors reinforced to me that there is a major audience waiting. That doesn't happen to every HorrorHound issue.

TEOS: Though Phantasm isn't as well-known a horror franchise as, say, Halloween or A Nightmare on Elm Street, phans have had the opportunity over the years to delve into publications like Fangoria, or your HorrorHound, or the expansive documentaries found on special edition DVD releases, to access a wealth of information on the making of the Phantasm films. What will your book be offering that previous sources have not?

DM: Great question. Everything you've read or seen about Phantasm so far has been in a general sense. Everything. My book is going to take a very detailed, chronological look at the making of these four films… meaning I take you back to March 20, 1977, when they shot the Tall Man chasing Mike through Morningside Mortuary for Phantasm. Or January 5, 1987, when they filmed Mike and Reggie raiding the hardware store for supplies for Phantasm II. Or February 23, 1993, when they filmed the Demon Nurse's attack on Mike and Reggie for Phantasm III. Or November 22, 1997, when the Tall Man tried to remove the sphere from Mike's head in Phantasm: Oblivion. Basically, this book is really digging deep with the details.

A huge inspiration for me in taking this direction was J.W. Rinzler's fantastic books on the makings of Star Wars and Indiana Jones. Being able to excerpt Angus Scrimm's unpublished Phantasm set journals also help set this book apart from everything that has come before. I think phans are going to really enjoy seeing those.

Liz and the Creature: Mark Shostrom

TEOS: Have you managed to attract previous members of the Phantasm phamily who have never before shared their experiences working on the films?

DM: Yes, very much so. I was surprised to be the first person to interview a number of people associated with the series. Ken Jones, the original sphere victim, has never had the opportunity to speak publicly about Phantasm. There are also people who've shared their experiences before, but not often and not in a long, long time, such as Kevin Connors and Gloria Lynne-Henry (Tim and Rocky from Phantasm III).

TEOS: You've previously shared that series creator Don Coscarelli is not involved with the book. Why did he refrain from participating?

DM: I can only speculate. I know he heard about the project years ago before I approached him, which did not bode well. Prior to the book, my main communication with Don were emails asking that I remove information or videos from my website, the Phantasm Archives, when I was posting news too early or something they wanted to save for a future DVD release. So I was never tight with him like I was the cast. Obviously, it would have been incredible to involve him. I imagine he will eventually read it and I hope he will like it. It is, after all, a warm tribute to his work.

TEOS: Besides Don, were there any other individuals from Phantasm history who proved elusive that you wish you could have interviewed?

DM: Willard Green, father of the original silver sphere! I grabbed a local fortuneteller and attempted a séance in hopes of getting an interview, but nothing came of it. Sadly, Green died before the original Phantasm saw release. He never had the opportunity to see his work on the big screen.

TEOS: Just out of personal curiosity, did you manage to score an interview with Kenneth Tigar, who played Father Meyers in Phantasm 2 ? I love that guy!

DM: Yes, Father Meyers is in here. Kenneth was terrific and had some great things to say about making Phantasm II. Of his character's silver-sphere demise, he said, "It was one of the most interesting things I've ever done in my entire career." I was excited to see him appear in The Avengers shortly after our interview. He played one of the few mortals that ever stood up to Loki!

TEOS: The book will be including rare and never-before-seen photographs from the productions of the Phantasm films. Where did you obtain them?

DM: The crew! A handful of interviews I did ended with someone saying, "Hey, I think I have some photos in storage somewhere if you want them." I wound up collecting more than a thousand unpublished photos from these films. Phantasm Exhumed is set to include more than 200 of them. The great thing is that a majority of these images, such as those from makeup effects creator Mark Shostrom, were digitally scanned in from their original negatives and look fantastic.

Mike Hanging: Guy Thorpe

TEOS:  Will you be delving into the unproduced script by Roger Avery, referred to as Phantasm: 1999?

DM: Yes, the book has an entire section dedicated to just that project. I don't want to say too much here because it's all there on the page - the multiple drafts, the changes, the cast reactions and the different reasons for it ultimately not being made. Exhumed also has sections dedicated to the aborted remake that New Line Cinema attempted and the Phantasm V project from a few years back—the one that generated the infamous cast reading.

TEOS: The trend seems to be, first, publishing the massive retrospective book, and then turning it into a video documentary, as was the case with Crystal Lake Memories, and Going to Pieces: The Rise and Fall of the Slasher Film. Have there been any preliminary discussions about that?

DM: Not at all. I've been so engrossed in the book that I can hardly see anything beyond it. I was happy to have been involved in the Phantasm II blu-ray documentary a year back, but I think that will mark the extent of my documentary contributions to Phantasm. Not that there isn't ample footage/material out there with which to make a new documentary.

TEOS: Being that you maintain a close relationship with the cast, you would be privy to certain details that the general public are not. The possibility of a Phantasm V has existed for going on two decades. While I'm certainly not asking you to spill the beans on anything you may or may not know, instead I am asking, do you think phans will ever be blessed with a Phantasm V? 

DM: Yes, absolutely. You will totally see it. I've been saying on the Phantasm Archives and Phantasm Community that the official Phantasm camp have been filming it since 2008, but no one seems to pay attention to that. Heck, I even debuted the first photo from the project of Reggie on the Archives. It's been a grueling wait, but you will eventually see it. Can't spill any more beans on it than that.

TEOS: Why do you think the Phantasm series endures?  

DM: I think it endures for a number of reasons. So many elements come together to make these films work. You've got endearing performances from a terrific cast, a wonderfully intriguing story, solid direction, dazzling special effects, top-notch makeups, and unforgettable music. This is a franchise that, despite having gone direct-to-video, has yet to compromise itself. Few horror franchises can honestly claim that. There's also a timeless quality to the series in that these films don't really date themselves all that much. It endures for these reasons and more.

Mike and Tall Man: Mark Shostrom

---

Phantasm Exhumed purchase details are still being worked out, though it will likely be available via Amazon, Barnes & Noble, directly from the publisher, and from the usual dotcoms. For the time being, keep an eye on the Phantasm Exhumed site for the latest details. That is, if you've got the...balls? (Yep, I did that.)

CRAPPYPASTA: VOO DOO DOCTOR

It was a cold winter day I was walking through the forest and I heard screaming. I looked around but nothing was there I just kept walking suddenly I felt dizzy I tried to keep my balance but fell over I looked up and I saw a small toy next to me I ran away from that place I ran to my house and locked the door

The next morning I was sitting in bed I was about to brush my teeth but I looked in the mirror and I saw a lot of scars on my face

I was running to my parents room but they weren’t there

I opened the door and saw two dead bodies on the floor

I fell back and screamed suddenly something stabbed me in the back it was a needle

It was in my hand though

Did I just stab myself

I remember a few days before there death my mom and dad were arguing they would have killed each other I felt like killing myself

I felt madness going through my veins I didn’t fell like the sporty girl that I used to be but know I feel like a mad person

I was walking in the forest because I was trying to run away (or at least see if slenderman would take me) but I had to go back

CURRENT DAY
today the police are seeing who did this they could tell it was a murder but they don’t think it’s possible for them to kill each other

Cop: we’ll we have the fingerprints and it says that it’s you

Me: how is that possible I was asleep the whole time

I was crying

Cop: I’m afraid that you’ll have to go to a mental hospital

Me: this isn’t  fair it wasn’t me

Again I felt rage and madness I suddenly grabbed a kind and stabbed the cop they all had there guns to me I had about three knifes and I threw them all at them

While I was running away from all the dead bodies I tripped over a rock and cut myself

As I was running I saw a note on a tree I just kept running I stabbed every live thing I saw I kept a smile in my face the whole time

Eventually I got tired and at down there was a lot  of blood on my hands this madness in my head wasn’t going to stop I was a monster people feared me I have dolls of everyone including you

And everywhere I go there will be blood

Source.

NEW GODZILLA TRAILER

HOLY SHIT!

HOUSE OF HER NIGHTMARES

All Margaret wanted was a nice home where she could raise her small daughter. An ad for a colonial house seemed like a dream come true, but upon stepping inside, it felt more like a nightmare - a nightmare that didn't quite end when she walked away. This is Margaret's story...

I was living in Houston, Texas, and my daughter was only two years old. I wanted a house very badly, but couldn't afford one. That did not stop me from looking at the Sunday paper, however, and dreaming.

One Sunday, I read an ad for a house for rent: a two-story colonial with a large yard, mature trees, and a garden. The best part was it was only fifty dollars more than I was paying for my apartment. I couldn't resist. I called the number listed and the lady told me that she and her husband owned a plant nursery not far from the house. She said if I drove to the nursery, I could follow her to the house.

I wasted no time in getting dressed and heading over. It was a bright day in June, the sun was shining, the birds singing, the grass was green, and there was just a hint of a breeze. It was the perfect day to find a home.

I arrived at the nursery and met the lady and her husband. They were wonderful people. If I were going to have landlords, these were the people I wanted to have. They told me the house needed some painting, and if I wanted it they would let me pick the colors. Also, if I wanted to do anything to the yard, I could come to the nursery and pick out anything I wanted free of charge. They would also let me have the third month rent free so that I could make some improvements I might want to do.

A BAD FEELING

It seemed too good to be true. I followed the woman to the house. Sure enough, it was a large white colonial with black shutters and gigantic oaks in the front yard. As I climbed out of the car, I caught just a glimpse of what appeared to be a garden gate on the side. There was no grass in the yard, maybe because there was too much shade, but I could overlook that. I had a full nursery where I could choose shade-loving plants.

The woman opened the front door and went inside. I took a step to follow her and froze. A chill ran through me. Goosebumps broke out on my arms and the hair stood up on the back of my neck. Even my breath caught in my throat. Everything in me said, Do not go into this house…, but that was ridiculous, wasn't it? I had come all this way. The lady was inside waiting for me. How could I explain it? I had to go in.

I pulled myself together and tried again with the same results. Something deep within me rebelled at the idea of going inside. I realized I was afraid - very afraid. I could hear the lady saying something to me from inside, but I couldn't make out the words. I couldn't just stand here outside the threshold, I had to go in. I didn't want to, but I couldn't come up with a logical reason to leave.

A CONSUMING DARKNESS

I gathered my courage and stepped inside. The first thing I noticed was how dark the house was. Outside it was bright and cheerful, but inside there was no light. I couldn't even see the walls. I could barely make out the vague shape of the woman who had led me here. She knew the house and flicked on some lights, but it hardly made a difference. It was as if the house sucked up all the light, releasing only shadows and dark corners. I couldn't understand it... the windows were huge. Where was the light?

Add to this the feeling of being watched. I felt there was something there quietly watching us. She showed me the living room and the kitchen, for all the good it did. It was as if I were going blind and couldn't force my eyes to adjust. She showed me the backyard, which did have grass and another large tree. I was puzzled. I could see the light outside and couldn't imagine why it did not pierce the darkness inside.

There was a shed in the yard, and she explained to me that the man who lived here before had left unexpectedly without any notice and had left all his clothes and furniture behind. She told me that she and her husband did not know what to do with his things and they didn't want to throw them away in case he returned for them. They had put everything in the shed. She told me not to worry, that they had changed the locks on the house, and if he didn't come back in a couple of months, they would empty the shed.

THE SYMBOLS ON THE FLOOR

She showed me the little gated garden I had glimpsed from the front yard. I liked the garden and could imagine planting it with my daughter, yet I could not see us living here. She led me into the dining room, complaining the entire time that she couldn't understand why anyone would paint the walls black, not only the walls but the windows as well. The former tenant also had drawn some weird symbols on the floor in some sort of luminescent paint. She had no idea what they were.

I did. I have never been a devil worshiper, of course, but I have seen enough movies to know what a pentagram looks like. It was beginning to make a little sense.

She took me upstairs, a bare blub barely brightening the way. It lit perhaps two steps before losing to the darkness. As I followed her up the stairs, I kept looking behind me. I was certain something was there - something that was watching me on its best behavior because it wanted me to move in. Something frightening that was not in the dark, but was the dark.

She showed me two equally dark bedrooms, and when she opened the door to one small room no bigger than a large walk-in closet, I had to blink. It was filled with light! A charming little pink room that could be my daughter's, if not for the fact that I kept imagining the two of us huddled in this room afraid to leave and venture out into the rest of the house. I thought of me clutching her in the middle of the night, staring at the doorknob, watching it turn. The image was a little too real.

I left the house. Needless to say, I didn't rent it, and the story might have ended there as the amusing tale of an active imagination were it not for a dreary rainy day in November five months later.

THE THING IN THE ROAD

I was taking a friend to work at a bar in small suburb just outside Houston. It was a cloudy, drizzly evening shortly before Thanksgiving. The days were getting shorter, and even though it was not quite six-thirty it was already dark. I had dropped him off and I was driving home with the radio playing, planning for the holiday. I was on a little blacktop road that was barely large enough for two cars to pass. This nondescript road connects Houston to this little suburb, so it is very busy during rush hour. The headlights of workers heading home to the burbs rushed toward me like an endless string of pearls. Almost no one was going in my direction.

Suddenly, from out of nowhere, something stepped in front of my car with outstretched arms. Something huge. Eight or nine feet tall with glowing red eyes. I swerved to miss it. My worst nightmare is to hit a person while I am driving. My mind told me it couldn't be a person, but I ignored it. It must be a person. I cannot miss it... it is too close.

I closed my eyes for the terrible bone-cracking impact, but there was nothing. I waited for the bump of the wheels bouncing over the body... but again nothing. The tires caught the mud and wet grass on the side of the road and the car spun out of control and was heading for a wide oak tree. I prayed for help and managed to regain control of the car in just enough time to miss the tree by the skin of my teeth.

I got back on the road and turned into a convenience store just up the road. I was shaking. Did I really see what I just saw? It had both arms outstretched, the fingers spread wide. What passed for hair were actually five pointed horns standing out on its head in the same way a child draws the sun. Its eyes were glowing red slits. It couldn't be. It had to be a person, and if it were a person, he could be lying in a ditch on the side of the road.

WHERE IT CAME FROM

I got out of the car in the drizzle and starting walking down the road, retracing the way I had come. It was uncomfortably cold and wet, but I had to check. As I walked, I noticed that none of the cars had slowed. No one was avoiding anything in the road. I looked in the ditch past the wet, drooping leaves. Nothing.

I came to the tree I had nearly hit. I could see the tire tracks in the mud, but no body… no nothing. Confused, I stood there for a moment and was about to head back to my car when I saw, directly across the road from where I had nearly hit the thing I saw, was the house I had seen in June!

Whatever it was had come from that house! It somehow knew that I was there. And since I had not moved in, it had tried one last time to take me. It had tried to kill me! The guy who had lived there had dabbled in some form of Satanism and conjured up something he couldn't get rid of and he had left... or worse, he was still there, somewhere within its walls.

The house was still empty that rainy night. No one had moved it. I fear for anyone who does. I never saw it again. I would never go that way. I told a few people this story, but not many. One asked if I would take him there, but I refused. I told him I'd give him directions, but I would never go there.

Story source.