Day by day, the “boys club” of Lionsgate continues to increase their output. What is this boys club? Why, it’s a cadre of actors who seem...

The breakdown of the family unit is one of the more disturbing themes at play in cinema, only because it's inherent in us to desire a cl...

Filmmaker Peter Medak ( Zorro, the Gay Blade ; The Ruling Class ) isn’t the only director who would have been capable of telling a story lik...

  Your really clever movie fan will look at the synopsis for Pilgrimage and think, “Spider-Man and the Punisher in the same movie!” and a...

The Killer of Dolls is probably the quirkiest and most bizarre catalog release I’ve seen in years. Though a Spanish production and dir...

  The father/son bond is one of film’s most explored relationships, more so than mother/ daughter/anyone else, and that’s because men ...

I’ve yet to see every film Clint Eastwood made as a director, yet I’m still confident when I say that The 15:17 to Paris is his absolut...

Remakes of John Carpenter’s films so far haven’t really yielded anything considered a total success in that they were both critically an...

To lean on an overused expression, they really don’t make films like The Taking Of Pelham One Two Three anymore. The remake from 1998 ...