George A. Romero’s Night of the Living Dead changed everything. And I’m not just talking about the advent of “the zombie” as we know i...

Cooties is one of those films that, as you're watching it, you almost start to dislike just because you want it to be better than i...

What a weird road the [REC] series has traveled. After the successful release of the first film, which can be fairly described as a mod...

The zombie comedy. People are still making these! But you know what they say: you can’t keep a chuckling ghoul down. To its cred...

There is no one on planet Earth more sick of zombies than I am. Even before The Walking Dead premiered to firmly launch both zombies an...

More zombies! Sick of them yet? I know I am, and not just because it's Ghouly (say it with me now: Ghoul-Eye) here at TEOS. ...

If you went into Overlord totally blind, from the get-go, you might think you were watching a war-set action film with a moderate amount...

If Sugar Hill proves anything at all, it's that the blaxsploitation movement of the 1970s focused much of its attention on angry and...

Maggie is a remarkable film in many respects, the most remarkable being that it was, for a long time, the little movie that could, and n...

Max (Anton Yelchin) has a problem. His girlfriend of many years, Evelyn (Ashley Greene), is driving him crazy, and for the longest time...

Wyrmwood is exhausting, but not necessarily in a bad way. Though its own marketing is quick to declare it as a combination of Dawn of th...

I wanted to hate Zack Snyder's Dawn of the Dead merely on principle.  The brand new remake train had barely been rolling befo...

Like all other horror franchises, Return of the Living Dead eventually lost its way, succumbing to straight-to-Sci-Fi-Channel sequel o...